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【露の花 DEWFLOWER】 林佑森個展 LAM YAU-SUM SOLO EXHIBITION


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大樹底下好遮蔭?

大樹可以遮風擋雨,

一棵枯萎了的樹,

它還起保護作用嗎?

A tree protects?

Trees can shelter from wind and rain,

a withered tree,

still play a protective role?

露の花 Dewflower VI

18cm x 14cm x 28cm

混合媒介

2020

關於林佑森|

林佑森於2010年修畢澳洲皇家墨爾本理工大學藝術系,同年獲得藝術公社《出爐2010》「傑出藝術新秀獎」。作品曾展示於多個本地、海外展覽及藝術展,包括香港巴塞爾藝術展、台北國際藝術博覽會、典亞藝博、水墨藝博、邁阿密亞洲藝術博覽會等,作品廣受私人收藏家及機構歡迎,部分藝術品更被香港藝術館、泰國當代藝術博物館、希臘Copelouzos Family博物館珍藏。其系列作品「圓」、「樹塔」、「鐵樹」於2015參與CHINA 8,於德國哈根奧斯特豪斯博物館(Osthaus Museum Hagen)展出。

電子產品,水管,電線等是由城市製造出來的現代工業產品。當它失去了本身的功能後,就會變成廢物,再遭城市遺棄…而我將這些被人們遺棄的產品收集回來重新組合、上色,變成另一種新的風景。利用現成物創作的雕塑作品,進而探討變異中的城市生態。

LAM Yau-sum was born in China. He graduated from the Royal Melbourne Institute of Technology University with a degree in Fine Art in 2010. He has joined numerous exhibitions in both Hong Kong and overseas, and has exhibited in various art fairs such as Art Basel Hong Kong, Art Taipei, Art Asia Miami and Fine Art Asia and Ink Asia. His works have gained recognition in the contemporary art scene, also are widely welcomed and collected by private collectors, corporate and Art Museum, such as Hong Kong Museum of Art, MAIIAM Contemporary Art Museum and the Greece Copelouzos Family Art Museum. 

He was awarded New Trend Award of the New Trend, Hong Kong in 2010. His serial works Yuan, Tree Tower and Metal Tree have been selected to participate in CHINA8 – Zeitgenössische Kunst aus China an Rhein und Ruhr and exhibited at Osthaus Museum Hagen, Germany.

Electronic products, copper water pipe and wire are manufactured and distributed in the city using the modern industrial products. They become electronic waste disposed in the city once their original function is lost. I collected and paint on those discarded abandoned products and the waste materials are transformed into a series of a new cityscape. The recent sculptures using ready-mades further investigate the mutating city habitats.