Back to All Events

敍一罪 Gaze of Sins


展出者 / Participants
泰利.百特、陳曉筠、陳偉邦(召集人)、陳育強、卓有瑞、
周俊輝、鍾大富 、香建峰、 葉佩玲、林東鵬、 梁文豪、
盧文謙、馬琼珠、余偉聯
Terry BATT, Casper CHAN, Clement CHAN (convenor),
Kurt CHAN, Y.J. CHO, CHOW Chun Fai, CHUNG Tai Fu,
Alex HEUNG, Ivy IP, LAM Tung Pang, Steven LEUNG,
Virginia LO, Ivy MA, Francis YU

策展 / Curated by
繪畫大道中
Painting On and On

開幕 / Opening Reception
2015 年4月8日(星期三) 下午六時至八時
8 April, 2015 (Wed) 6-8pm

地點 / Venue
九龍塘禧福道五號,香港浸會大學傳理視藝大樓
顧明均展覽廳
Koo Ming Kown Gallery
Communication and Visual Arts Building, Hong Kong Baptist University, 5 Hereford Road, Kowloon Tong

展覽日期 / Exhibition Period
8 - 28/4, 2015, 10am-8pm

免費入場/ Free Admission
_____________________________________________


是此展覽為陳偉邦策劃的「繪畫大道中」第六次聯展,多名本地藝術家嘗試利用繪畫對「罪」(Sins)這個議題作出探討。

人類自古典時代,一直有犯罪及贖罪的觀念,基督宗教有「原罪」,佛家亦有 「業報」 及「輪迴」等思想。在藝術創作上,文藝復興的米高安哲奴有《最後審判》壁畫深入民心;文學上如中國傳統小說《水滸傳》、俄國杜斯妥也夫斯基的《罪與罰》,到近代如日本村上春樹的《1Q84》;及外國電影如《發條橙》、《七宗罪》、近來的《出埃及記》及本土電影如《無間道》、《黄金時代》等,都對 「罪」有獨到見解和演譯。

但時至今日,在現實世界中,罪惡(Sins)的觀念不斷被媒體淡化、邊緣化及扭曲化,「罪」 已進化(evolve) 為不同層面的隱閉符號,或轉化(transform)成為日常生活的 「正常運作下必有的副產品/替代品(supplement)」。究竟 「罪」的意識在當代社會中仍否「存在」?或者其實一早已被忘記,消失得無影無踪?


The exhibition is the sixth joint painting exhibition organized by Clement Chan on behalf of ‘Painting On and On’, in which the issue of ‘sin’ is explored and discussed by a group of local artists.

The concept of sin and atonement has long been rooted as human nature. ‘Sin’ in Christian doctrine, and ‘karma’ and ‘reincarnation’ in ancient Buddhism appears as spiritual beliefs in both Western and Chinese culture since the classical era. Renaissance art such as Michelangelo’s "The Last Judgement" has caught on to become a classic fresco. Literature such as the traditional Chinese classic "Water Margin", Dostoevsky's "Crime and Punishment" from Russia, and modern classic novels such as Haruki Murakami's "1Q84" from Japan; international classic movies such as "A Clockwork Orange", "Seven", the recent "Exodus" and local movies such as "Infernal Affairs", "The Golden Era" etc., have interpreted the nature of ‘sin’ in various perspectives of uniqueness and peculiarity.

Nevertheless, the concept of ‘sin’ in nowadays world of reality was being diluted, marginalized and distorted, constantly and imperceptibly, by the media. The concept of ‘sin’ has been evolved into implicit symbols in various aspects; or transformed as a byproduct or supplement inevitable in the normal operation of daily lives. Does the ideology of ‘sin’ still exist in the contemporary society? Or has it long been wildered and forgotten?

查詢 / Enquiry
hkpaintingonandon@gmail.com

鳴謝 / Acknowledgements
香港浸會大學 Hong Kong Baptist University