![10_說故事 [ 作曲家_高世章 ] ; 在身邊 [ 自由身攝影師_翁志偉] ; [是誰毁了誰？- JOHN LENNON與小野洋子]](https://images.squarespace-cdn.com/content/v1/5c9c5d077eb88c5499f22943/1607836076847-W3RS10YGQ2ICZ92BZ9TQ/%E6%88%AA%E5%9C%96+2020-12-13+%E4%B8%8B%E5%8D%881.05.13.png)
好想藝術_在身邊 [自由身攝影師_翁志偉] 編導：鄧心怡
他不是畫家，但山野、海邊、梯間、路旁都被他當成畫布；落紅、枯葉、種子、野草，在他手上都不再是無情物，而是顏料七彩繽紛。
因為愛創作也愛自然，他跑到老遠的沙灘畫大圖畫，創作取於自然亦回歸自然，周而復始：隨著潮漲潮落，人和畫也豁達起來。
The “Decisive Moment” (Cartier-Bresson, 1952) was coined by Henri Cartier-Bresson who is considered as one of the most important and influential practitioners of the “street-photography” genre. In his 1952 book by the same title, Cartier-Bresson, introduced to the world a more humanistic but also a more formal approach in his photographic vision. He has been credited with elevating documentary and journalistic photography to a new form of personal artistic expression.
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