Duddell's Exhibition: The Day the Gods Stop Laughing
Curator: Yuan Fuca
2 August – 23 September 2018
Opening Reception:
Thu 2 August, 6–8pm
RSVP to programs@duddells.co
The day the gods stop laughing, a meaningful coincidence occurs. It comes from the unshakable worldview of the academic philosophers before the digital revolution: multiple worlds move in parallel to one another. The earth, this mortal life, and the microcosm are all contained within them, as in Gottfried Leibniz's theory of pre-established harmony.
‘The Day the Gods Stop Laughing’ is a long-term curatorial project consisting of a series of fabricated events realized through exhibitions, performances, publications, or even TV programs. The presentation of these events is based on in-depth research and investigation at particular sites within cities, informed by their hidden secrets, historical patterns, or contours of personal experience. Every event invites an individual or a group of artists to establish Carl Jung's concept of ‘synchronicity’, or ‘meaningful coincidence’, through the use of sounds, symbols, images, words, and objects.
The first episode takes place at Duddell’s Hong Kong and features Hong Kong artists Doreen Chan, Tap Chan, Silas Fong, and Guangzhou-born, Vienna-based artist Ye Hui, creating independent yet intertwined narratives and situations within the subliminal states of the site. Together, these four individual artist projects establish new links between symbols of matter and experience, developing new interactions between the environment, forms, themes, and man. If we take a design-heavy restaurant with a consumer aesthetic as a field of collective unconsciousness, it offers an opportunity to inspire the audience/guest to form a concrete and performative yet incomplete consciousness of the self. Just like the androids' system setup failure in Westworld, the protagonists on-site may experience a sort of magical realization.
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都爹利會館展覽:眾神失語的日子
策展人:富源
展期:8月2 日至9月23日
開幕酒會:8月2日(星期四),晚六至八時
請電郵programs@duddells.co登記
在眾神失語的日子,發生了一次意味深長的巧合,起源於數字革命之前中世紀時期經院哲學家們深信不移的世界觀的勸化:多重的世界平行運轉,寰宇、塵世、微觀世界都被包容其中,如同萊布尼茲的原始和諧。
「眾神失語的日子」是一個長期策展項目,以展覽、表演、出版甚至是連續劇的形式實現一系列試圖模糊和消解真實與虛構界限的事件。通過對特定城市以及地點的深度考察和調研,獲悉和顯現其中不為人知的秘密、歷史發展的式樣或是個體遭遇的輪廓。每次事件都將邀請藝術家或藝術團體,以委任的形式,通過聲音、符號、圖像、文字以及物件編排種種跡象,建立一種榮格式的「共時性」(Synchronicity),或者說一次「有意義的巧合」。
本項目的第一集於2018年夏天在都爹利會館實現。香港藝術家陳泳因、陳沁昕、方琛宇以及出生於廣州、工作於維也納的藝術家葉慧參與其中,利用該地點的潛意識狀態創建各自獨立卻又彼此交織的敘事和情境。這四個獨立的藝術家專案共同建立了物質符號和經驗之間嶄新的聯繫,展現出環境、形式、主題以及個人之間的全新互動關係。如果我們將一個設計感十足、充斥著消費主義美學的餐廳視作一種集體無意識的場域,那麼這次展覽事件試圖提供一次激發觀眾/顧客去形成一種具體的、表演性的然而又並不完整的自我意識的機會。就像《西部世界》中機器人失敗的系統設置,現場的主角們可能會體驗到一種奇妙覺醒。
Back to All Events
Earlier Event: July 26
Twinkling City: Sim Chan Solo Exhibition
Later Event: August 5
id_city – videos by art graduates of China/ HK/ Taiwan