感謝 《愈 ‧ 夜舞 In the course of Dancing, from Nightfall to Darkness》展覽策展人Elaine Wong及校友會主席Shirky Chan為我們導覽翻新後的香港藝術學院本部（灣仔）。翻新後的學院藝廊空間大增，亦增設了製作陶瓷的設施及多用途工作室等，不知道最讓你留下深刻印象的又是哪一部份？
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記得十一年前第一次出席朋友在香港藝術學院的畢業展，突然發現藝術世界原來可以這麼大，當時令我充滿好奇與震撼。二話不說，決定報讀繪畫系挑戰自己。在學期間，各老師與一班不同年齡和背景的同學為我帶來多不勝數的藝術衝擊。從二零零零到二零二零年，藝術學院由私營學府成為政府認可的學術機構，我認為全憑多年來充滿熱誠的藝術工作者注入不同的努力…
感謝 《愈 ‧ 夜舞 In the course of Dancing, from Nightfall to Darkness》展覽策展人Elaine Wong及校友會主席Shirky Chan為我們導覽翻新後的香港藝術學院本部（灣仔）。翻新後的學院藝廊空間大增，亦增設了製作陶瓷的設施及多用途工作室等，不知道最讓你留下深刻印象的又是哪一部份？
The solid heat of summer came early in May this year, which however, reminds me of the once-a-year graduation show that I have been longed for.
It has been 20 years since the Bachelor of Arts programme established in 1998, co-organizes by Hong Kong Art School and RMIT University, with over 700 graduates. Apart from their personal development, their achievements have also gained attention and in different art fields. They made every endeavor for the development and promotion of art in Hong Kong, and brought changes and vitality to local art scene.
