【陶藝創作指導 The Workshop Guide to Ceramics】藝術家陳思光：另類造模方法 Artist Ray Chan See-Kwong: Alternative Mould Making
【陶藝創作指導 The Workshop Guide to Ceramics】藝術家陳思光：另類造模方法 Artist Ray Chan See-Kwong: Alternative Mould Making
另類製模方法：紙本石膏製作及泥漿鑄模
Alternative mould making: paper-plaster mould and slip casting
陶藝基礎創作指導
陶藝涉及大量應用技巧、知識、步驟，對許多初學者而言，除了重複練習及實驗外，觀摩亦是一種必要的學習途徑。本計劃以造型及彩繪裝飾兩項源流中梳理出陶藝製作中的主要技巧，並由藝術家負責示範和拍攝成多條陶藝「陶藝創作指導」影片。藝術家嘗試作出深入淺出的技巧示範，並配以文字補充。
Ceramics practice involves numerous techniques, knowledge and procedures. Apart from practising and experimenting, observation is another essential way of learning for beginners. Consequently, The Workshop Guide to Ceramics will provide demonstration videos for illustrating the forming techniques and surface decoration, which will elucidate the comprehensive skills for making ceramics.
顧問：尹麗娟
資料搜集及訪問：張煒森、施美婷
拍攝：張才生
剪接及製作：陳岱昕
內容整理及撰稿：施美婷
Consulting Professor: Annie Wan
Researcher & Interviewer: Eddie Cheung Wai Sum, Muses Sze Mei Ting
Videography: Samson Cheung Choi Sang
Editing & Production: Dawn Chan Doi Yan
Content and Writing: Muses Sze Mei Ting
Demonstration link on YouTube channel: https://youtu.be/g2ECHy-L-Rg
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1.用紙蓋住瓶子以形成體積和複製其形狀。
2.用縐紋膠紙把另一層紙貼於瓶子表面以固定形狀。
3.取出瓶子後，紙瓶子便形成。
4.準備混合石膏：把石膏粉灑進一桶水中，水的分量剛好把所有石膏粉覆蓋。
5.讓石膏和水留在桶中一陣子，使水分解所有粉末。
6.倒掉最上層的水，然後用手攪拌。
7.隨即，將手上的石膏沾上紙瓶子表面, 可形成一層薄膜。
8.在等石膏凝結的時候，將泥漿過篩。
9.Ray調製泥漿之配方：70% 粘土和 30% 水。
10.石膏凝固後，將紙漿倒入紙瓶中。
11.泥漿鑄模時間為 20 分鐘。
12.稍微混合一下，讓泥漿流動。 然後在瓶子下面打開一個小孔，以倒出泥漿。
13.下一步製作瓶子底部，先用泥漿小吸壺取得一些泥漿。
14.在瓶子下面放一張紙。
15.然後擠出泥漿，泥漿流入瓶子內。
16.一旦粘土乾燥成皮革乾，我們就可以打破石膏表面並撕走紙張以取出泥瓶。
1. Cover a paper onto a bottle to make the volume and copy the shape.
2. Stick paper masking tape with another layer of paper on the surface for fixing the form.
3. Take the bottle out then the paper-bottle formed.
4. Prepare mixed plaster: Sprinkle the plaster power into a bucket of water, the amount of water just covers all the powder.
5. To allow the plaster and water sit in the bucket for a while, so the water breaks down any lumps of powder.
6. Pour away the top layer of water, then just use hand to mix it.
7. Immediately, dip the plaster on hand onto the paper-bottle surface to form a coat.
8. While waiting for the plaster to harden, push the slip through a sieve.
9. Ray’s slip formula: 70% clay and 30% water.
10. Once the plaster has hardened, pour the slip into the paper-bottle
11. Leave it in 20 minutes as the casting time.
12. Mix a bit for the slip flowing. Then open a hole under the bottle and pour out the slip.
13. For the base of the clay bottle, use a slip trailer to get some slip.
14. Place a paper under the bottle.
15. Apply pressure on the bulb and the slip flow into the bottle.
16. Once the clay dried to leather hard, we can break the plaster surface and peel the paper for taking the clay bottle out.
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詳情請留意項目網站
Please see the details on our project website
此項目由香港藝術發展局「Arts Go Digital藝術數碼平台計劃」支持
This project is supported by Hong Kong Arts Development Council “Arts Go Digital Platform Scheme
