荔枝窩，位於僻遠的沙頭角，山脈連綿，海灣寬闊，耕地肥沃，大自然彼此滋養。如此幽靜質樸，喚醒了人們最純粹的感覺。四位藝術家李彥錚（Dexter）、區灝藍（Suzanne）、姚俊樺（馬騮）、張煒詩（Rachel）就以陶藝為媒介，呈現被城巿遺忘的自然美學。
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A former body-mind therapist with over 15 years of experience working as a spiritual healer, this month’s feature artist has left imprints in the faraway land of Romania and settled in the familiar border Hakka village of Lai Chi Wo. With her deft hands and piercing eyes, ceramic artist Au Ho-lam, Suzanne attempts to read minds through her art, one loofah at a time.
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The research was carried out by Rachel Cheung, Lecturer / Programme Coordinator (Project), with two alumni – Winus Lee, Ida Yu and a current student – Suzanne Au. The team were proceeding a study with the alumni who studied the Bachelor of Arts (Fine Art) programme jointly presented by HKAS and RMIT University, Australia, with ceramics as major.
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藝術展場與作品可以起怎樣的化學作用，令觀眾有不一樣的觀賞感受？香港藝術學院第6屆校友展《Art for Space / Space for Art?》或許將揭示答案。有別歷屆的模式，展覽特別針對呈長形管道的學院藝廊的環境因素，展示繪畫、攝影、陶瓷、混合媒體作品、裝置藝術等各種形式和不同媒介配合場地特色的作品，讓藝術品與場地互相輝映，也讓觀者可以從多元角度詮釋藝術，位於香港藝術中心10樓學院藝廊的展覽由即日起至4月23日。
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