著名戰地攝影師Robert Capa說過：「如果相片拍得不夠好，是因為你靠得不夠近。」要用鏡頭說故事，就要走進故事當中；正如在香港藝術學院修讀攝影的學生Katie Vajda，因為關注社會走進生活。她憑着藝術觸覺及勇於嘗試，學習攝影短短兩年，便以探討女傭社會地位的作品奪得2014香港人權藝術獎，成績有目共睹。而她更推出首個個人影展，繼續為女性、人權發聲，值得關注。
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![10_說故事 [ 作曲家_高世章 ] ; 在身邊 [ 自由身攝影師_翁志偉] ; [是誰毁了誰？- JOHN LENNON與小野洋子]](https://images.squarespace-cdn.com/content/v1/5c9c5d077eb88c5499f22943/1607836076847-W3RS10YGQ2ICZ92BZ9TQ/%E6%88%AA%E5%9C%96+2020-12-13+%E4%B8%8B%E5%8D%881.05.13.png)
好想藝術_在身邊 [自由身攝影師_翁志偉] 編導：鄧心怡
他不是畫家，但山野、海邊、梯間、路旁都被他當成畫布；落紅、枯葉、種子、野草，在他手上都不再是無情物，而是顏料七彩繽紛。
因為愛創作也愛自然，他跑到老遠的沙灘畫大圖畫，創作取於自然亦回歸自然，周而復始：隨著潮漲潮落，人和畫也豁達起來。
Moved by the plight of domestic helpers in the city, Australian Katie Vajda decided to do her bit to challenge a few things that have become 'acceptable'
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。我們相信藝術能夠為生活帶來新角度，接觸藝術不需要學術基楚
。我們相信藝術是生活的氧份，願意為繁忙的都市生活注入這氧份
。我們致力增強大眾對藝術的興趣，孕育觀眾，助長本地藝術發展
。 我們致力使大眾更了解本港當代藝術，使藝術家得到支持和認同
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香港的維多利亞港被譽為全球其中一個最重要的海港，貨櫃運輸業的重要性無可置疑。但對於一個個鐵造的貨櫃，除了裝貨之外，還有什麼用呢？純粹獨立藝術家群（MIA）於5月16至18日在西九龍海濱長廊舉行「藝術貨櫃啟航展覽」，展出37個充滿藝術色彩的貨櫃，同時賦予貨櫃「香港藝術大使」的身份，四出宣揚香港藝術。MIA為這37個原本一式一樣的貨櫃添上色彩，注入信息，宣揚香港藝術。然而，在整個製作過程中，MIA亦遇到很多難題，他們是如何一一破解呢？這個計劃又能為香港藝術工作者帶來什麼啟示呢？在此，特別邀請計劃副召集人兼參與藝術家李美娟（Carol）接受訪問。
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“Art is a lie that makes us realise the truth” – Pablo Picasso
Look-up ‘Street Photography’ in Wikipedia and the attempt to define it starts with ‘… a form of documentary photography’. But is it really? Both Street Photography and Documentary photography are well understood traditions, so why is it that the former is so easily confused for the latter?
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In celebration of the graduation of the 10th cohort of the Bachelor of Arts (Fine Art) program, co-presented by the RMIT University, Australia and the Hong Kong Art School (a division of Hong Kong Arts Centre), 43 ceramics alumni from the past ten years are proud to present their most recent work in a ceramics exhibition and to put on a series of events under the theme “Dual Plasticity” – to mold and be molded.
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器物不只是用具, 還可盛載歲月與情感;藝術不僅是創新，還有過程與思考。現對於藝術中心展出的「拾遺．補闕--實用器物研究」, 不純是一個藝術展覽，而是二十位參與者研究及探討實用器物後，一次成果的分事。
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Unit Gallery is an art space for contemporary ceramics. Founded in 2010 by ceramic artist Rachel Cheung.
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The “Decisive Moment” (Cartier-Bresson, 1952) was coined by Henri Cartier-Bresson who is considered as one of the most important and influential practitioners of the “street-photography” genre. In his 1952 book by the same title, Cartier-Bresson, introduced to the world a more humanistic but also a more formal approach in his photographic vision. He has been credited with elevating documentary and journalistic photography to a new form of personal artistic expression.
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二樓原作是您的香港藝術仲介!
在沒有實在的畫廊空間下，二樓原作以藝術仲介人的身份，繼續推動本地當代藝術及與不同的商界合作。現時二樓原作主要是提供藝術顧問服務及展覽策展。