Claylaboration – Contemporary Ceramic Art Exhibition

1/F, Thematic Gallery 5
29 December 2018 – 15 April 2019

Presented by the Leisure and Cultural Services Department
Organised by Hong Kong Heritage Museum

Participating Ceramic Artists x Creative Partners:
Chan Kiu-hong x Ken Hung│Wy Lee & Ryan Hui x Changlin Fashi│Jakie Leung x Rex Chan‧Denise Chen‧Ryan Cheng│
Rosanna Li x Ng Hoi-chi│Nick Poon x Lee Chi-wai‧Jason Wong│Annie Wan x Elvis Yip│
Fiona Wong x Hong Kong Open Printshop‧Lau Ching-ping│Yokky Wong x Lee Wai-yee‧Kevin Tang
Media Artist: Elaine Wong

What kinds of possibilities will result from a crossover between ceramics and other media? Come and visit this exhibition to broaden your impression of ceramic art! Bringing ceramic artists and creative talent from other fields together, it will offer you a unique experience in art through their exchanges of innovative concepts and techniques.

By transferring photographic images to ceramic plates, Fiona Wong transforms a moment in time into eternity. Immerse yourself in the surreal atmosphere of Yokky Wong's black-and-white ceramic studio and peek into her intimate world of personal memories. Wy Lee and Ryan Hui will guide you into the world of Zen through hundreds of ceramic bowls. As you admire the elegant dancing ceramic figures by Nick Poon, just one second of evil thoughts will transfer you into Rosanna Li's purgatory to redeem your sins. Don't worry! Jakie Leung's delicate porcelain work will bring you back to the human world, where you can enjoy the artist's fine craftsmanship under shimmering lights. Annie Wan puts her ceramic books to the test of a searing blaze, and a rainbow rises from the ashes. And what do you find underneath Chan Kiu-hong's thousands of ceramic scales? Is it a sleeping monster? As you step into this exhibition, it will surely creep into your imagination, making you gasp for breath.

Get ready for this experimental journey into the imaginative world of ceramic art!

"Claylaboration" is in progress! Please follow us to stay tuned.
 

To coincide with the special exhibition "Claylaboration – Contemporary Ceramic Art Exhibition", the programme "More than Clay: A Demonstration and Sharing Session by Contemporary Ceramic Artists" will be organised by the museum. Please click here for details.

Welcome to download our exhibition leaflet, feature article and artists' leaflets. You may also view the videos documenting their "claylaboration" process.

Exhibition Leaflet

Exhibition Feature Article – Professor Chan Yuk-keung: Chinese version | English version

Leaflets on Participating Ceramic Artists:

Annie Wan     Rosanna Li     Wy Lee & Ryan Hui     Jakie Leung Chan Kiu-hong     Fiona Wong     Yokky Wong     Nick Poon

Leaflet on Media Artist:

Elaine Wong

Videos on the "claylaboration" between Ceramic Artists and their Creative Partners

More about Ceramic Artists and their Creative Partners

味之為食，氣之言質。展覽以一氣／味丶一藝術家、一作家為一組合，進行跨媒介創作及對話。
展覽將透過嗅覺及視覺體驗，喚起關於飲食的記憶與變化，在文字與視覺藝術的對話中開啟想像，從日常蒸餾可能。

參展作家及藝術家：
甘：飲　江 × 賴明珠
苦：游　靜 × 沈嘉豪
鹹：曹疏影 × 何博欣
酸：謝曉虹 × 梁嘉賢
辛：周漢輝 × 王天仁
寒：黃仁逵 × 黃仁逵
熱：淮　遠 × 盧樂謙
溫：也　斯 × 張施烈
涼：葉　輝 × 劉學成

－－－－－－－－－

展覽日期：2018 年 12 月 28 日 - 2019 年 1 月 17 日
地點：香港藝術中心 包氏畫廊5樓灣仔港灣道2號
開放時間：早上 10 時 － 晚上 8 時

開幕酒會：
2018年12月28日 下午6－8時

導覽場次及資訊：
逢周六日 下午 2 丶 4 丶 6 時設有公眾導賞團
學校／團體可預約導覽，歡迎查詢
＊展覽設親子互動區域，並設親子導賞團

查詢電話：2333 6967（嚴小姐）
電郵：hk.literature.season@gmail.com

展覽書法題字鳴謝：徐沛之

展覽日期：2018年12月15日－2019年1月6日

展覽時間：星期一至五｜1130 - 1900，星期六及日 | 1200 - 2030

開幕時間：2018年12月15日｜1700 - 1900（*藝術家將親臨開幕酒會）

展覽地點： 荃灣南豐紗廠地下13室 - 茂一茂

「 再閲植物繪 」 － 郝立仁作品展

由藝術森林及茂一茂合辦的「再閲植物繪」作品展覽於2018年12月8日起至12月30日在荃灣南豐紗廠舉行。是次展示的本地藝術家郝立仁的草本植物繪圖作品，耳熟能詳的草本植物在藝術家筆下以另一種面向呈現眼前，彷彿是一些從未認知的東西。原來一顆植物的結構，延伸至它的生長過程，也許會是超越表象的理解。繪本中的植物有時也連繫著我們的日常飲食習慣，藝術家透過探討和繪畫表達對大自然生生不息的偉大以及感欣大地跟我們環環相扣的關係。

展示畫作之外，藝術家希望作品跟空間互相呼應，也嘗試從物質轉化的角度來思考用品和其與自然循環的關係，轉化在地茂館回收得來的宣紙，弄成紙漿並在過程中加入芝麻種子 (製作糖水的食材之一) 製作成有厚度及印有他創作的繪本圖案的再造紙。此再造紙作品不是消耗品而是可以放進泥土裡種植的一顆小植物，長大後便成為芝麻葉。它可回歸塵土養育生命和萌生新生命。限量20張再造紙作品可在店內購買。

關於茂一茂 by Tei Mou Koon

茂一茂 by Tei Mou Koon 秉承老字號地茂館甜品”原味手作”的理念，手調健康美味中式原材料榖物飲品。老店地茂館則開業於1990年，位於九龍城福佬村道的廣府甜品老字號，現由第二代傳人接手經營。年輕一代希望把真材實料的老店承傳下去，以手繪食材為題重新印製餐牌、新店裝潢清新卻堅持保留傳統特色，並在位於南豐紗廠的新店「茂一茂」 加入藝術元素，希望大家坐在店內一邊享受港式美食飲品，一邊觀賞本地藝術家創作的作品。

「最」大展》| 'THE' Survey Exhibition

Please roll down for English
近年最勁、最多元化、最多前線活躍藝術家參與、最不可控制的藝術展覽---《「最」大展》將於2018年12月1日(星期六)在牛棚藝術村舉行。

《「最」大展》由C & G藝術單位策劃，本計劃名義是慶祝C & G藝術單位成立十一週年之藝術大展，同時更關注藝術空間的生存與發展、角色與定位、使命與責任、承傳與培育新晉等等。藝術空間是具前瞻性及實驗性藝術創作、展現模式、論述方法的試點，是藝術昇華的重要階梯。C & G藝術單位在過去十一年都切實擔當這個角色。

《「最」大展》的初衷是：統計C & G藝術單位由開業至今，共策劃、主辦、主辦及策劃多少藝術活動，共邀請及與多少藝術家/藝術工作者合作過，有具體數據後，再於每項藝術活動中精選一位在該活動中創作了最「特別」的作品的藝術家參與是次計劃，共邀請約40位。

所謂「文無第一，武無第二」，我們相信藝術家是屬於文人，是謙虛的，要求他們認第一、認最乜最物，相信對藝術家而言也是一個挑戰。就以這大展機會了解藝術家可以有多大程度展示其最自以為是、最自圓其說、最自我自戀、最堅、最……的多元化面貌。是次藝術展覽計劃，集中走主觀路線，讓參與藝術家自我營造屬於他/她/們的「最」。參展藝術家以「最」為題，創作一件/一組其認為是平生「最？？？」的全新作品，配合可能性極高的主題，因此作品創作媒介不限。

《「最」大展》除展覽本身外，於開幕之後，會延伸一系列配套活動，包括研討會、導賞、拍賣、心水藝術家選舉等：

• 展覽共23天
開幕時間： 2018年12月1日(星期六)，晚上6:00-6:30
展覽時間： 2018年12月2日 至 23日，下午12:30-7:30。
地點： 香港 九龍 土瓜灣 馬頭角道63號 牛棚藝術村 12號單位、8號單位、N5號單
參展藝術家：
陳式森(三木)、楊秀卓、唐納天、陳素珊、俞若玫、syan aka MC Yan、羅文樂、陳麗雲、郭孟浩(蛙王) 、黃慧妍、林嵐、林玉蓮、關尚智、陳翊朗、鄧國騫、劉南茜、杜躍 x 黎振寧、張煒森、陳泳因、勞麗麗、梁美萍、朱耀煒、程展緯、張志平、劉學成、唐景鋒、蕭偉恒、自己野 (羅玉梅x 蘇瑋琳x鄺永嘉)、黃榮臻、馮美華、林東鵬、王永棠、唐偉傑、何遠良、擔泥 x 張景威、莫穎詩(共同創作：盧樂謙、Jesse Clockwork)、周俊輝、袁堅樑(丸仔) 、張嘉莉、鄭怡敏(阿金)、黑馬騎士團

• 討論會，共2節
討論會I
時間：2018年12月1 日(星期六)，晚上6:30-8:00。主題：《沒有最錯》
地點：香港 九龍 土瓜灣 馬頭角道63號 牛棚藝術村 12號單位

討論會II
時間：2018年12月14日(星期五)，下午7:30-9:30。主題：《只有更錯》
地點：香港 九龍 太子 西洋菜南街222號 三字樓 C & G藝術單位

• 導賞，共5節
導賞I (由梁展峰帶隊)
時間：2018年12月2日(星期日)，下午3:30-5:00
導賞II (由梁展峰帶隊)
時間：2018年12月8日(星期六)，下午3:30-5:00
導賞III (由梁展峰帶隊)
時間：2018年12月9日(星期日)，下午3:30-5:00
導賞IV (由鄭怡敏(阿金)帶隊)
時間：2018年12月15日(星期六)，下午3:30-5:00
導賞V (由張嘉莉(Clara)帶隊)
時間：2018年12月22日(星期六)，下午3:30-5:00

地點：九龍 土瓜灣 馬頭角道63號 牛棚藝術村

• 心水藝術家選舉
展覽期間，讓現場觀眾參與投票，投選最心水作品，結果將於展覽閉幕當日公報。最高票者會於2019年上半年在C & G藝術單位內進行為期一個月的小個展。小個展開幕當天將會是文獻圖錄發布之日。

• 拍賣 (拍賣官： 袁永賢 @ 騷褲脾)
於閉幕當日進行參展作品「一蚊拍賣」，每件作品收益歸該作品創作的藝術家，以輕鬆的手法鼓勵收藏，同時亦是購買最特別聖誕禮物的機會。詳情容後於C & G藝術單位facebook網頁公布。

策劃及統籌： C&G藝術單位


‘THE’ Survey Exhibition
‘THE’ survey exhibition, which is the most impressive, the most diverse, the most uncontrollable exhibition with the most active artists participating, will open on 1st December, 2018 (Sat) at Cattle Depot Artist Village.

Curated by C&G Artpartment, in the name of the celebration for its 11th anniversary, ‘THE’ survey exhibition is also drawing our attention to the development of local art spaces. Some of the questions include: What are the roles and responsibilities of an art space in society? How can it position itself? How can it help nurture the young practitioners? C&G believe that an art space must have its strong vision. It should be a spot for experimental art practices, different exhibition models and discourse development. It should be one of the important ladders to the sublime. C&G Artpartment has confidently practiced as such in the past 11 years.

The selection of artists is based on a serious revision over all the exhibitions curated or organized by C&G Artpartment since its establishment. C&G reviewed all their curatorial works and select the most ‘special’ artwork from each of the previous projects. Thereafter, they invite totally 40 artists who had been the most ‘special’ at one point.
According to a Chinese idiom, there is no championship in the arts, while there is no first-runner up in martial arts. We do believe that artists are always humble. It certainly is a challenge to ask them to name themselves the number one or the most of such and such. ‘THE’ survey exhibition will provide an opportunity for different artists to show different outlooks of the most self-centered, the most self-contained, the most narcissistic or the most …everything…
Besides ‘The’ exhibition, there will be a series of parallel programs during the show, including discussion forums, guided tours, auction and voting etc:

• Exhibition with 23 days:
Exhibition Period: 1st Dec, 2018 (Sat) to 23rd Dec, 2018 (Sun)
Exhibition Time:12:30-7:30pm
Exhibition Venue: Unit 12, 8 & N5, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong
Participating Artists： Sanmu CHAN, Ricky YEUNG Sau Churk, Nadim ABBAS, Sushan CHAN, Cally YU, syan aka MC Yan, LAW Man Lok, Movana CHEN, KWOK Mang Ho (Frog King), WONG Wai Yin, Lam Lamm, Pauline LAM Yuk Lin, KWAN Sheung Chi, Oscar CHAN Yik Long, TANG Kwok Hin, Nanxi LIU, TO Yeuk X LAI Chun Ling, Eddie CHEUNG Wai Sum, Doreen CHAN Wing Yan, LO Lai Lai, LEUNG Mee Ping, CHU Yiu Wai, CHING Chin Wai, Ben CHEONG Chi Ping, LAU Hok Shing, Kurt TONG, SIU Wai Hang, Selfish Wild (Law Yuk Mui X So Wai Lam X Kwong Wing Ka) , Wayne WONG Wing Chun, May FUNG, LAM Tung Pang, WONG Wing Tong, Damon TONG, HO Yuen Leung, Mudwork X Reds CHEUNG, MOK Wing See(Vinci)(co-operated with: Him Lo、Jesse Clockwork), , CHOW Chun Fai, YEUN Kin Leung Maru (Yuenjie), CHENG Yee Man (Gum) , Clara CHEUNG, Darkhorse Knight Riders

• Discussion Forums, 2 rounds
Forum I
Time: 1st December, 2018(Sat), 6:30-8:00pm. Title: ‘The Worst Mistake Does Not Exist.’
Venue: Unit 12, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong
Forum II
Time: 14th December, 2018 (Fri), 7:30-9:30pm. Title: ‘It Can Always Get Even Worse.’
Venue： C＆G Artpartment, 3/F, 222 Sai Yeung Choi St South, Prince Edward, Kowloon, Hong Kong

• Guided Tours, 5 sessions
Tour I (led by Jeff LEUNG)
Time: 2nd December, 2018 (Sun), 3:30-5:00pm
Tour II (led by Jeff LEUNG)
Time: 8nd December, 2018 (Sat), 3:30-5:00pm
Tour III (led by Jeff LEUNG)
Time: 9th December, 2018 (Sun), 3:30-5:00pm
Tour IV (led by Clara CHEUNG)
Time: 15th December, 2018 (Sat), 3:30-5:00pm
Tour V (led by Gum CHENG)
Time: 22th December, 2018 (Sat), 3:30-5:00pm

• Vote for my Favorite Artist
During the exhibition, audience is invited to vote for their favorite art piece. The result will be announced at the closing of the exhibition. The artist who win the most votes will be awarded a chance to have a small solo exhibition at C&G Artpartment in the first half year of 2019. The opening of the small solo exhibition will also be the launching day for ‘The’ exhibition catalogue.

• Auction (Auctioneer: Thomas Yuen @ Sofoolbid's)
‘$1 auction’ will take place on the closing day of ‘The’ Survey Exhibition. All the revenue will be returned to the artist of the sold piece. It will be a relaxing moment to encourage art collection and also the most special moment to purchase for Christmas presents. Auction’s detail will be announced at C&G Artpartment’s Facebook page and website later.

Curated & Organized by： C&G Artpartment

An on-going balance of insecurity

1 December – 22 December 2018
Opening: Saturday, 1 December 2018, 4-7 pm
EXIT, 3/F, 25 Hing Wo Street, Tin Wan, Aberdeen, Hong Kong
Hours: Tue - Sat, 11am - 6pm

Gallery EXIT is proud to present "An on-going balance of insecurity", an exhibition of three young local artists. The exhibition will open on 1 December 2018 and remain on view through 22 December 2018.

Cindy IEONG Wing Lam
Depicting objects with unusual scale and light sources, IEONG paints a dreamlike scene based on her own collection of images and fragments of life. The fluidity of picture is her main focus in painting. To present an "in progress" state, she builds a concealed directional relationship between objects through the misplacement and juxtaposition of indoor and outdoor space, void and solid, thereby creating a space for the viewers to imagine beyond the picture.

Tobe KAN Kiu Sin
KAN is obsessed with psychoanalysis, to study her own state, explore and retrospect to the causality. Her work explores autobiographical experience and mental states. The focus of her practice examines the human condition of insecurity in relation to disease, stereotyping, feelings of detachment, alienation or being forgotten. She experiments with painting, drawing and installation.

LAU Yin Yeung
LAU pursues a balanced self - he assimilates the concept of yin and yang into his painting, in “Tao Te Ching: all things submit to yin and embrace yang in order to soften their energy” is meant to achieve the state of harmony. He therefore mixes elements of the nature with a few man-built structures to create a sense of balance in his paintings.


《平衡不安進行中》

2018年12月1日至12月22日
開幕：12月1日(星期六)下午4時至7時
地點：安全口畫廊 香港 香港仔 田灣 興和街25號大生工業大廈 3樓
辦公時間：星期二至六 上午11時至下午6時

安全口畫廊最新聯展《平衡不安進行中》呈獻楊詠琳, 簡喬倩和劉彥揚三位本地年輕藝術家的作品。

楊詠琳
楊氏透過收集得來的影像和生活的碎片，描繪大小比例不一的物件及不尋常的光源，在畫布上營造其想像中虛幻的場景。她著重畫面的流動性，錯置室內外空間、並置虛實，在物件建立略帶隱晦的方向性關係，從而呈現一種「進行中」的狀態，引發觀眾更多在畫面以外的聯想。

簡喬倩
簡氏沉迷於精神分析的研究，以剖析自身的精神狀態，窺探與回溯各種因果關係。作品以自身經驗與人的精神狀態為主，關注和試圖呈現各種與疾病，異化或被遺忘有關的不安全狀況。創作包括繪畫、素描和裝置。

劉彥揚
劉氏以道德經中「萬物負陰而抱陽，沖氣以為和」為概念，借畫香港風景畫，在失衡的城市生活，追求平衡的自身狀態。因此劉氏的畫內包含了自然元素，同時亦有少量人為建築物在其中營造一個平衡的狀態。

《骨感》

姚俊樺個人展覽

骨感，是骨頭觸碰陶泥的瞬間，是陶泥化作骨頭的過程。骨頭與石頭的敲鑿、泥土的混和與結合、骨頭上的刻畫，都是藝術家姚俊樺在創作的每個動作。透過物材料的互動及重新定義，模糊物料的特性，從而探討自然的本質。是次展覽以骨頭及陶泥為材，展出一系列陶瓷作品，呈現各種骨感之餘，更是訴說著骨頭與泥土的關係。

藝術家簡介

姚俊樺畢業於澳洲皇家墨爾本理工大學與香港藝術學院合辦之藝術文學士學位課程，主修陶藝，曾獲香港藝術學院高級文憑畢業展最佳作品獎。於2016年舉辦首個個人陶藝展《少年與山》，並參與多個本地及國際聯展，如2013年香港當代陶藝協會二十周年展覽《1+1》、KOHLER Bold. Art 2017藝術巡迴展覽、典亞藝博2018等。作品呈現大自然的原素和特質，亦會使用被遺棄的陶泥，透過創作使其重獲新生。

展覽開幕
1/12/2018
星期六 12:00

展覽日期
1/12/2018 - 7/1/2019
逢星期六 12:00 - 18:00
星期日休館 (2/12 除外）
其他時段，敬請預約

23 November 2018 - 5 January 2019

• Overview

• Works

• Installation Views

• Press release

Yang Xun 杨勛, To Ma Yuan - Drifting Waves No. 1 致·馬遠-細浪漂漂 No.1 , 2016-2017

View works

Art in the contemporary world is no longer divided by geographical boundaries, yet, the significance of the ocean remains unaltered. More often, the ocean is not depicted as literal and specific but as an abstract symbol. The exhibition brought together the works of nineteen contemporary Asian artists including: Cai Dongdong, Cheung Szelit, Ding Beili, Ding Shiwei, Gregory Halili, Li Qing, Li Shun, Lin Qing, Liu Ren, Ma Lingli, Ni Youyu, Peng Jian, Shang Yixin, Shao Wenhuan, Shi Zhiying, Sugimoto Hiroshi, Yang Jinsong, Yang Xun and Yang Yongliang, each bringing forth a fragment of the ocean, in order to complete a unified 'horizon line' within the gallery space. The total area of the open sea from all exhibiting artwork was revealed on opening day to formulate the final exhibition name, 16.52 Sqm Open Sea.

November 17, 2018 - February 23, 2019

Currency: What do you value? is a group exhibition that asks questions about the relationship between art and money, exploring the flaws of our current economic reality. The featured artists expose the complex relationships between currency and how society values or doesn’t value art, work and time. They employ wit and satire to reveal economic inequities and dysfunctions, and ask: how do materialism and corporate interests take precedence over human and environmental concerns? How do debt and money impact art and creativity?

Literary critic and philosopher Mikhail Bakhtin described the concept of the carnival as a subversive, disruptive, world-upside-down event in which the hypocrisy of everyday life was unmasked. During carnival, social structures including those that defined class and status were disrupted by common people. In Currency: What do you value?, artists turn assumptions upside down to re-examine our relationship to money and how we live our lives.

The exhibition brings together national, international and local artists who engage with these themes through a variety of media and artistic approaches. In Debtfair, Occupy Museums continues their ongoing intervention that began at Art League Houston and appeared at the Whitney Biennial in 2017. The collective asks New Mexico artists how debt affects them and their art and uses collected data to explore the real impacts of debt at a time when U.S. credit card debt alone is over one trillion dollars. Albuquerque artist Leonard Fresquez has organized The New Booleggers: Fabricating (Im)Propriety, an installation in which 20 artists explore how high-end commodities are valued and question the worth of such products by producing knock-off versions of popular items.

New York artist Evan Desmond Yee fossilizes outmoded technologies including specific Apple products. He demonstrates how these objects, that have such a hold on us, quickly lose their novelty as they become obsolete. By placing the objects in a geologic context, he also raises questions around corporate influence, environmental neglect and a future in which nature reclaims its place over technology. Mel Chin’s Fundred project is continued as an outreach program with local schools involving hand-made currency used to raise awareness about lead poisoning.

ARTISTS:
Mel Chin, Christy Chow, Jennifer Dalton, Nina Elder, Ramiro Gomez & David Feldman, Hernan Gomez Chavez, Scott Greene, Keith Hale, Erika Harrsch, Steve Lambert, Lance Ryan McGoldrick, Occupy Museums, Yoshiko Shimano and Evan Desmond Yee.

The New Bootleggers Installation:
Sven Barth, Raven Chacon, Marissa Chavez, Brendan Donnelly, Max Farber, Stefan Fitzgerald, Leonard Fresquez, Ry Fyan, Thomas Christopher Haag, Internet Discount Mall, Ken Kagami, Malcolm Kenter, Rye Purvis, Gregory Shimada, Jillian Stein, Jaime Tillotson & Scott Daniel Williams and Chase Witter.

Debtfair NM Installation by Occupy Museums: 
Jordan Alvarenga, Frank Blazquez, Caitlin Carcerano, Emma Casady, George Evans, Simone Frances, Tlacaelel Fuentes, Richard Garriot-Stejskal, Hank Jones, Bryan Konefsky, Patrick Manning, Lance Ryan McGoldrick, Danai Morningstar, Yvette Nary, Eden R, Carrie Ratkevich, Renée Romero, ADR, Simone Romero, Jasmine Vigil.

Digital Display:
Alec, B.C. Anderson, Anonymous, Anonymous, Anonymous, Anonymous, Anonymous, Alex Athens, Chantel B, L. BaLoMbiNi, Hazel Batrezchavez, Mitch Berg, Beth Blakeman, Matthew Bollinger, Janet Bothne, Breanna Emerenciana Mora, Sean Burke, Lia Conzemius, Jeanette Cook, Lauren Deyo, Erin Elder, ELE, Elizabeth, Juana Estrada Hernandez, Ranran Fan, Tristano Farzan, Lane Fenner, Marie-Pier Frigon, Elliot M Fubar, Sean Paul Gallegos, Erin Galvez, Catherine Page Harris, Thom Hölzer, Emily Hutchings, Jennings, JG, Jordan Jirschele, Shirley K., Joanne Keane Lopez, Chuck Lathrop, Lorraine E. Leslie, Roe LiBretto, Lori Metals, Gerald Lovato, liliths love, Sonia Luévano, luke, Lucinda Lynch, Mezaland, Mark Migliaccio, Drew Miller, Billy Joe Miller, Mrs. Amnesia, Candy Nartonis, Nicky Ovitt, Allyson Packer, Vincent A Piazza, André Ramos-Woodard, Austin Reed, Kari Kaplan, Reeves, Sheldon Richards, Holly Roberts, Terri Rolland, Denise Weaver Ross, RT, David Rudolph, Sarah, Michael Schippling, Michael Sharber, Justin Thor Simenson, Myriam Tapp, Nick Tauro Jr., Nina Tichava, Piers Watson, Fehrunissa Willett, Robert Willits and Andre Woodard

桌上日常 - 張麗珍陶瓷作品展
Everyday Tablescape – Ceramic Works by Karen Cheung

開幕: 2018年11月18日(星期日）3-5 pm
展期: 2018年11月 17日至12月2日（逢六及日）, 1:30 – 6 pm

Karen喜歡四處看周圍的事物，生活社區裡的舊鐵閘、窗花、舊地磚等皆引起她的興趣。這些東西默默地陪住她成長，然而隨着市區的發展，這些事物漸漸消失。Karen希望藉住這次展覽，把這些圖像注入於生活用具裏面，嘗試如古人般將四處的環境繪畫在器物上，像牡丹花、牽牛花圖案也常出現在以前的食具上，重新把這種雅興顯現出來。是次展覽中的作品為餐桌上的餐具，它們的外型簡樸，實用且帶民藝色彩。

Social Transformations – An Exhibition Celebrating 20 Years of Partnership between RMIT University and Hong Kong Art School

The exhibition proudly celebrates the 20 years of partnership between RMIT University and the Hong Kong Art School (HKAS), with a focus on the social transformations it brings.

The collaboration between RMIT University and HKAS on the offering of quality tertiary education programmes in fine art has started since 1998.   All along, this treasurable partnership and the artistic accomplishments springing from it have been shaping the art ecology in Hong Kong and imposing intriguing impacts onto the art educational landscape in Hong Kong and beyond.   They have also been breathing new life into the local and the transnational art scenes.  

The participating alumni-artists in this exhibition are all graduates from the Bachelor of Arts (BAFA) and/or Master of Fine Art (MFA) programmes which have been nurtured from this long-term partnership over the years.   Their works always respond or contribute to the idea of social transformations in unique ways.

We look forward to seeing you in this commemorative exhibition, and you are also cordially invited to join us in the Forum Activities, the two specially conducted Forums, alongside the exhibition.  They will certainly bring in new insights and open up new perspectives for us all.

We have published an e-catalogue in conjunction with this exhibition, it is also a salute to our alumni, our lecturers who have taught in the programmes, members of the governance bodies and staff members from both institutions who have contributed to this partnership.  Please view it and share in our joy.

Exhibition

Date: Nov 11-28, 2018 
Time: 10:00am – 8:00pm  
Venue: Pao Galleries, 4-5/F, Hong Kong Arts Centre, 2 Harbour Road, Wan Chai, HK

Forum #1

Making Meaning - Pedagogy for the Expanding Scope of Art Practice
Date: Nov 10, 2018 (Sat)
Time: 5:00pm – 7:00pm  
Venue: Pao Galleries, 4-5/F, Hong Kong Arts Centre, 2 Harbour Road, Wan Chai, HK
Conducted in English

There has been an expansion in terms of the scope of art practices over the past two decades, which gives rise to a need of revisiting corresponding pedagogy.  
Discussing the opportunities and the challenges brought by such tendency, exploring the evolution therein and making meaning out of the phenomena in both local and transnational art educational landscapes.

Speakers:
Prof. CHAN Yuk Keung Kurt, Acting Director, Hong Kong Art School
Prof. Julian GODDARD, Dean, School of Art, RMIT University
Prof. Louis NIXON, Director, Academy of Visual Arts, Hong Kong Baptist University
Prof. Frank VIGNERON, Chair, Department of Fine Arts, The Chinese University of Hong Kong

Forum #2

Art & Society
Date: Nov 17, 2018 (Sat)
Time: 3:00pm – 5:00pm
Venue: Pao Galleries, 4-5/F, Hong Kong Arts Centre, 2 Harbour Road, Wan Chai, HK
Conducted in Cantonese
Addressing how art has been evolving and penetrating into different sectors of the society as well as different walks of life over the past two decades

Speakers:
CHENG Yee Man Gum, Curator / Artist / Co-founder of C&G
LAI Wai Yi Monti, Artist / Farmer
LO Lok Him, Artist / Co-founder of Ching Chun Warehouse
Dr. WONG Kwok Choi Kacey, Art Activist

Moderator:
LAM Laam Jaffa, Academic Head, Hong Kong Art School

Participating Alumni-Artists

Kay Mei Ling BEADMAN 
CHAN Chik Yee
CHAN Oi Yan
CHENG Yee Man Gum
Suzy Kai Sun CHEUNG 
CHEUNG Wai Sze Rachel
Christy CHOW
HEUNG Kin Fung Alex
Daphne Alexis HO
KAN Kiu Sin Tobe
LAI Wai Yi Monti
Janet LEE
LEE Suet Ying
MA King Chu Ivy
MAN Mei To
NG Hui Lan Gladys
Isabella NG
Karpo TANG
TSANG Man Fu Matthew
Katie VAJDA
WONG Chun Yam Leo
WONG Suk Yin Elaine
YUEN Chun Tai
YUEN So Ling

2018南島國際美術獎

107年11月08日(四)-107年12月09日(日)

南島國際美術獎從2011年開辦，到今年已是第5屆。從第1屆以油畫為主，第2屆擴大媒材到攝影、雕塑、裝置等等，第3屆起轉型成為駐村型美術獎，邀請世界各地的藝術家來臺東創作。今年南島國際美術獎的競爭非常激烈，來自臺灣、瑞典、美國、蒙古、菲律賓、香港等地的10組藝術家，經過激烈公正專業的初審、複審，直到完成駐村創作，這10件作品從107年11月8日至12月9日止，在臺東美術館與大家見面。

展覽日期｜2018/11/8（四）至 2018/12/9（日）

展覽地點｜臺東美術館山歌、海舞廳

展覽時間｜週二-週日早上09：00-17：00(週一休館)

像是動物園（二）
Zoo as Metaphor (2)

「新視野藝術節2018」節目
programme of "New Vision Arts Festival 2018"

區華欣 Au Wah-yan / 許敖山 Steve Hui / 馮程程 Vee Leong / 伍韶勁 Kingsley Ng

吳子昆 Ng Tsz-kwan / 洪忠傑 Kensa Hung / 文美桃 Man Mei-to / 陳子雯 Iv Chan / 鄺雅麗 Alice Kwong / 黃鴻飛 Wong Hung-fei

策劃及監製 Curator & Producer:
黎蘊賢 Orlean Lai


25,28-30/10/2018 (四、日至二 Thu & Sun-Tue)
7:30pm / 7:45pm / 8:00pm / 8:15pm / 8:30pm
[節目時間至Programme ends at 9:45pm]

26-27/10/2018 (五及六 Fri & Sat)
6:00pm / 6:15pm / 6:30pm / 6:45pm
[節目時間至Programme ends at 8:00pm]
9:15pm / 9:30pm / 9:45pm / 10:00pm
[節目時間至Programme ends at 11:15pm]

☛ 購票時需選定進場時間
☛ Please decide your admission time when purchasing tickets


香港醫學博物館
Hong Kong Museum of Medical Sciences

$290
$160 學生/高齡人士/殘疾人士 students / senior citizens / people with disabilities


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我正常嗎？還是異於常人？
想要出眾？不想離群？
誰戴上有色眼鏡？誰看見國王新衣？
看與被看或視若無睹，你會點睇？

AM I NORMAL?
Do I want to stand out from the mass or blend in with others?
Who has a blinkered view and who sees the emperor’s new clothes?
In between gazes, what do you actually perceive?


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新一輯「像是動物園」－2014年於「油街實現」開始的既展且演共同創作－今年來到香港醫學博物館，將重新打開「珍奇屋」奇觀之旅。原有跨界創作班底這次為觀眾帶來與環境空間扣連更緊密的展演歷程，從上回的藏品展示，今回把焦點放在「人」的展示上，帶大家尋找現代處境底下的「奇人」。

在前身為細菌學檢驗所的博物館內，展示空間與生活場景虛實交錯，時空縱橫穿梭。創作團隊製造了不同處境，為觀眾帶來多感官的遊歷體驗，在「獨」與「眾」，「自身」與「他者」之間遊走。想特立獨行還是平平凡凡？歷程將會讓觀眾反思：我們如何從他人的目光中建立本體，又如何根據植根腦海的一堆價值來衡量別人。

A new edition of Zoo as Metaphor (2014), a performative exhibition previously set at Oi! (Oil Street Art Space), takes the "cabinet of curiosities" as its point of departure once again.

This time, the artists undertake another expedition in the more site-responsive environment of Hong Kong Museum of Medical Sciences, delivering another engaging and experiential journey for visitors. Moving on from the objects and collectables on display in the first edition, the new expedition focuses on PEOPLE, embarking on the "bizzare” in contemporary situations...

Travelling through rooms where different scenarios unfold, visitors will be encouraged to reflect on interactions between individuals and collectives, self and others. For sceptics and adherers to convention alike, the experential journey will lead to contemplation of how we can construct identity through the eyes of others, or how we perceive people through pre-set ideas and values.


介乎展覧與表演之間
衍生出一場社會潛規則實驗歷程
A crossed form of exhibition and performance
evolves into an experiential journey of social experiment


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☛ 行動不便者請留意：演出場地為古蹟，其位置及建築物內部均只有樓梯可達；節目期間，觀眾需於場內走動。購票前，請衡量個人身體狀況是否合適。門票一經售出，恕不退換。

☛ Note for people with difficulties walking stairs: The venue is a heritage building accessible by stairs only. Audiences are required to move around during the event, and are thus advised to consider their physical condition before purchasing tickets. Tickets are non-refundable.

此為語言無障礙節目
文字資料則為中英對照

Language is not a barrier in this programme
Textual information is in Chinese and English


☛ 12歲以下恕不招待
不論進場時間，節目將於指定時間結束。於限定時間內，觀眾可自行決定停留時間。
不設中場休息。敬請準時入場。遲到者將不得獲場。

☛ Audience under the age of 12 will not be admitted.
The programme is designed with specific admission times but audiences are free to choose how long they stay within opening hours.
No intermission. Audiences are strongly advised to arrive punctually. No admission for latecomers.


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策劃及監製 Curator & Producer
黎蘊賢 Orlean Lai

核心創作人 Core Collaborating Artists
區華欣 Au Wah-yan
許敖山 Steve Hui
馮程程 Vee Leong
伍韶勁 Kingsley Ng

創作團隊及技術總監 Creative Team & Technical Director
吳子昆 Ng Tsz-kwan

創作團隊 Creative Team
洪忠傑 Kensa Hung
文美桃 Man Mei-to
黃鴻飛 Wong Hung-fei

場景佈置及服裝設計 Set & Costume Designer
陳子雯 Iv Chan

燈光設計 Lighting Designer
鄺雅麗 Alice Kwong

計劃經理 Project Manager
何比 Kobe Ho

製作經理 Production Manager
李菁菁 Cheryl Li

音響系統工程 Sound System Engineer
謝金寶Tse Kam-po

宣傳品攝影 Photographer
tommytfortwo

圖片來源 Drawings credit:
Wellcome Collection

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門票9月7日起於城市售票網發售
Tickets available at URBTIX from 7 Sep onwards

網上購票 Internat Booking: www.urbtix.hk
信用卡電話購票 Credit Card Telephone Booking: 2111 5999
節目查詢 Programme Enquiries: 5491 9516
流動購票應用程式 Mobile Ticketing App: MY URBTIX (Android and iPhone/iPad versions)


優惠購票計劃 Discount Schemes
全日制學生、六十歲或以上高齡人士、殘疾人士及看護人❊、綜合社會保障援助受惠人士可獲55折優惠。
綜援受惠人士優惠票數量有限，先到先得。優惠票持有人入場時，必須出示可以證明身份或年齡的有效證件。
Tickets with 45% off discount are available for full-time students, senior citizens aged 60 or above, people with disabilities and a minder ❊, and Comprehensive Social Security Assistance (CSSA) recipients.
Tickets for CSSA recipients are available on a first-come-first-served basis. Concessionary ticket holders must produce evidence of their identity or age upon admission.

團體購票優惠：每次購買四至九張正價門票，可獲九折優惠；十至十九張可獲八五折優惠；二十張或以上可獲八折優惠。
Group Booking Discount: 10% discount for each purchase of 4 -9 full-price tickets; 15% discount for each purchase of 10 - 19 full-price tickets; 20% discount for each purchase of 20 or more full-price tickets.

「新視野藝術節2018」套票優惠 ✦：每次購買兩場不同節目的正價門票，可獲九折優惠；三場不同節目，可獲八五折優惠；四場或以上，可獲八折優惠。
"New Vision Arts Festival 2018" Package Booking Discount ✦: 10% discount on full-price tickets for each purchase of 2 different programmes; 15% discount for 3 different programmes; 20% discount for 4 or more different programmes.

❊ 顧客每購買一張殘疾人士優惠門票，即可同時以相同優惠購買一張門票予看護人。
❊ For each concessionary ticket for people with disabilities, the customer can purchase one ticket with the same concession for a minder.

✦ 優惠購票計劃不適用於購買講座／工作坊之門票。
✦ Discount schemes not applicable to tickets for lectures or workshops.

購買每張門票，只可享用以上其中一種購票優惠。
Patrons can enjoy only one of the above discount schemes for each ticket purchased.

新視野藝術節2018
New Vision Arts Festival 2018
www.newvisionfestival.gov.hk


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香港醫學博物館 Hong Kong Museum of Medical Sciences
香港上環半山堅巷二號
2 Caine Lane, Mid-Levels, Sheung Wan, Hong Kong
電話 Tel: 2549 5123
電郵 Email: info@hkmms.org.hk
網址 Website: http://www.hkmms.org.hk


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策劃及製作 Curated & Produced by：
orleanlaiproject

資助 Financial Support :
「Project ELSE」獲香港特別行政區政府「藝能發展資助計劃」的資助。本節目屬於「Project ELSE」計劃一部分。
"Project ELSE" is financially supported by the Arts Capacity Development Funding Scheme of the Government of the Hong Kong Special Administrative Region. This programme is part of "Project ELSE".

場地伙伴 Venue Partner:
香港醫學博物館
Hong Kong Museum of Medical Sciences

鳴謝 Acknowledgement：
康樂及文化事務署 Leisure and Cultural Services Department

支持 Supported by:
yU+co.[lab}



www.orleanlaiproject.net

藝術好離地？離我好遠？咁諗就要去銅鑼灣(世貿中心對面) Circle K #上嚟玩! 買杯野飲，店內樓上cafe hea下，就會見到Art Boundless特約駐場artists，同你一齊用飲杯野嘅時間， 以創意同想像力玩轉平淡生活。

用完嘅杯、餐具、買野單據，都會成為artists與你互動嘅元素。講係唔夠嘅，以下日子，你一定要去體驗下買野飲都可以藝術玩轉平淡時空嘅歷程。藝術從來離你唔遠。

期
間
限
定
藝
術
家
駐
場

木碎好少年 好少年處理廠

20/10 2PM

22/10 6PM

24/10 6PM

27/10 2PM

陳建業 黃煒喬 片刻體驗館

27/10 2PM
29/10 7PM 31/10 7PM

03/11 2PM

Café Simply Great Coffee
銅鑼灣東角道26號
(CIRCLE K上層)

==

邊個 Art Boundless
創意、合作、和公眾參與是Art Boundless的核心價值。 我們主張釋放香港公共領域潛在的無限創意，並定義本地創意景觀和獨特美學。Art Boundless鼓勵創意社群與社會各持份者跨界合作，並於城市空間探索創意策略和協調實際行動，以達至創意的延伸、藝術實踐及促進藝術家、公眾、公私型組織以及觀眾之間的連結。

木碎好少年 係邊個
木碎好少年創辦於 2013 年冬至﹐係扎根香港嘅藝術木匠組織， 以舊木翻新 結合互動機械結構進行創作﹐活躍於大小展覽及市集，也熱衷藝術教育; 秉持無聊認真做､太認真不做與不無聊照做的精神﹐將革新､解放､敏感､偏激､頑固､懶惰､不良､崩壞的話題重新包裝推出。

陳建業 係邊個
Scott畢業於RMIT 墨爾本皇家理工大學，與朋友於2011 年成立『畫畫畫室』，推廣率心隨性的藝術文化，參加唔同展覽，作品同時備受藝術圈和商業品牌注目。

記憶女郎 係邊個
記憶女郎搞藝術，亦係英國特許公認會計師，2017年畢業於香港中文大學MA Fine Arts；邊個話一個人埋頭數字，就冇創意。佢嘅作品以身體探索內心歸處開始, 透過模仿同重現的自身經驗去感受同表達所想。 記憶女郎曽到美國藝術駐場，並係香港、倫敦做現場行為藝術表演，也透過扮演父母去探討香港人身份，轉化為錄像作品。

展覽日期：2018年10月20日－11月10日

展覽時間：星期一至日｜上午12時半－下午7時

開幕時間：2018年10月20日｜下午3－6時 （＊藝術家將親臨開幕酒會）

展覽地點：中環元創方S510

「記憶是種莫名的美好 為未來而生」 － 郝立仁藝術個展

由藝術森林及土壤文創合辦的「記憶是種莫名的美好 為未來而生」作品展覽於2018年10月20日起至11月10日在中環元創方舉行，本地藝術家(郝立仁)以泥土作為創作媒介並透過繪畫及裝置藝術，呈現人類與自然及環境的關係。

對一些習以為常的事情作出介入與干涉是郝氏藝術實踐中的一個重要元素。郝氏透過他的作品揭示主流文化、意識形態、制度以及教育如何構建我們對自然、環境和社會的理解和認知。創作牽涉的範疇包括地圖學、地方史、植物繪圖學和手工藝等。 郝氏亦以他的藝術實踐作為催化劑與途徑來重新認識和深入探究我們的日常生活、身處環境、地方、自然的既定認知，以求移去對事物的偏見和一知半解。並且藉此重建個人與環境和社群的親密關係。

是次展覽的主題由我們自身出發，從個人情感把記憶、時序和地點交織成莫名的美好，帶領觀者以新的角度去認識當下的環境。 每一個過去的時刻都會成為曾經，但不是每一個過去的時刻都會變成記憶。它與地方、圖像和感覺緊密相連。我們傾向於記著美好的舊時光，並試圖抵制褪色。我們擁有儲存和代表過去的技術，但它與 「真實」永遠不再相同，它是對過去的解釋、後記憶。回憶是為了未來，讓我們在未來反思和冥想。當我們重新審視地點、物體、圖像和記憶時，他們成為一種新的理解，並發展為知識和想像力，讓我們繼續前進。

關於藝術森林

成立於2017年，是一個致力推廣當代藝術的創意單位。我們相信藝術可以滲透在日常生活當中，帶給我們新的視點和多角度觀察事物，增添生活樂趣。跟不同藝術創作團隊合作是我們的目標之一，以使事件變得不同，並為觀眾和藝術家帶來新鮮的想法。

關於土壤文創 於2012年成立，與不同地域的創作人合作，嘗試從歷史、人文和文化的角度，研究及推廣傳統手作設計，讓手工藝重回現代人的生活中。 我們連結不同領域、喜愛及深懂工藝的創作人和傳統匠人，一同發想、一同設計，讓傳統工藝與現代設計互相對話和影響。

Exhibition Duration: 20 October – 10 November 2018

Opening Hours: Monday to Sunday I 12:30pm – 7:00pm

Opening Reception: 20 October 2018 I 3:00 – 6:00pm (*Artist Presents)

Venue: PMQ Unit S510

“Memories are always beautiful . Memories are always for the future”

Benjamin Hao solo exhibition

An exhibition entitled “Memories are always beautiful . Memories are always for the future”, jointly presented by Art Forest and SOIL, will be held at PMQ from 20 October until 10 November 2018. Local artist – Benjamin Hao uses soil as his creation medium, through presenting his soil painting and installation to investigate the relationship between human, nature and our surroundings.

He believes art as a form of intervention to pre-existing system. Through his artwork, it reveals how dominant culture shapes our understanding of nature and society. Hao's works often reference to the methodology and image from different major disciplines and fields, for instance, cartography, botanical illustration, and city infrastructure etc. In his practice, he takes art as a catalyst and uses it as a way to remove our presumption. Rebuilding our personal intimacy relationship from our society or surroundings.

The idea of this exhibition comes from our personal emotions, an inexplicable beauty is perhaps intertwined by memories, times and places. We hope to bring audience a new perspective to review our current surroundings. Every elapsed moment becomes the past, but not every passed moment can transform into memories. It ties strongly with places, images and sensations. We tend to remember the good old days and try to resist fading. We have technologies to store and represent the past, but it is never the same as the ‘real’ subject, it is the interpretation, post-memories of the past. Memories are for the future, for us to reflect and meditate in the future. They grow into a new understanding of the past when we revisit the places, objects, images and memories. They become knowledge and imagination for us to carry on to the future.

About Art Forest

Founded in 2017, it is a startup institution promoting contemporary art and artist in Hong Kong. We believe art could pervade our daily life in a way to open up the mind and given us a new perspective of seeing things. Collaboration with art related group is one of our objectives in order to make things different as well as bringing fresh idea to both audience and the artist themselves.

About SOIL Founded in 2012, SOIL aims to promote crafts through the inspiring history, culture and humanity behind them. We offer a new perspective and experience to traditional crafts. In collaborations with designers and craftsmen across different disciplines and cultures, we hope to create better craft designs exposed to alternative methods and materials. Collaboration spreads our design sphere of influence and breaks down walls with new approaches.

《天氣預報》

來自香港的五位藝術家陳令芯、 葉曉燕、 冼朗兒、唐偉傑、鄒昊宏於2016年首次在倫敦Iklectik Art Lab籌畫了一個名為《天氣預報》的展覽。兩年間，該展覽作為一個具延續性的活動，記錄五位藝術家的創作日誌，籍此展開對話的機會， 從而產生更多可能性。

藝術家從各種不同的觀點出發，對其所關注的主題作出不斷的題問、分析而進行思考及創作，成一環形循環狀態。這種循環的創作狀態，沒有起點也沒有終點，其過程就如不斷變化的天氣一樣難以預測 –《天氣預報》試圖反映出當代社會中所發生的，永恆的變化中所縕含的不確定性。


The Weather Forecast

Weather Forecast Weather Forecast is an on-going project first presented by five artists from Hong Kong at Iklectik Art Lab in London in 2016. The exhibition acts as a logbook of artists’ development and progress, aims to create a community which encourages constant dialogue between artists and generate further possibilities.

Like the constantly evolving weather, the themes explored by each artist – and the diverse ways that each presents their ideas – also reflect the changes that are occurring in the current unpredictable climate of the contemporary world.

‘How beautifully blue the sky
The glass is rising very high
Continue fine I hope it may
And yet it rained but yesterday.
Tomorrow it may pour again…’

(From The Pirates of Penzance, Gilbert & Sullivan, 1879)

If tomorrow can be forecasted, what does tomorrow mean to you?


Participated artists:
Livia Garcia 陳令芯
Rachel IP Hiu Yin 葉曉燕
Stephanie Sin 冼朗兒
Damon Tong 唐偉傑
Timothy Zauhou 鄒昊宏


Exhibition period: ***exhibition is extended to 19 Nov 2018
18 Oct 2018 to 19 Nov 2018 (9am to 10pm daily)

Opening reception:
19 Oct 2018 (Friday) 6-8pm

Venue:
The Exhibition Gallery, The Open University of Hong Kong

Address:
1/F, The Open University of Hong Kong, 81 Chung Hau Street, Ho Man Tin, Kowoloon, Hong Kong

展覽日期：09/10 - 24/10 (星期一例休)
時間：1-7pm
聚會：13/10 星期六 (6:30-8:30 pm)

眼睛，被稱為「靈魂之窗」，可知除了觀察事物，眼睛更是開啟我們靈魂與外界接觸的器官；透過眼睛，我們由看見、到注視，然後發現，繼而引起思考、想像，開創...因此眼睛不僅是整套視覺系統中最重要的部份，也是藝術創作的起點之一，而眼睛和視覺在乎的，又豈只表像？

畫家黃進曦和李香蘭，前者在傳統寫生基礎上、眈天望地之間，不單描畫出一種帶著時間差距的遊歷過程，同時滲入主觀想像，讓觀眾在其畫面鋪陳的景致中蹓躂；後者畫風輕鬆靈動、用色淡雅，無論描繪或人或物甚至地方，重點往往在於寄情抒懷、連繫情感和分享故事。平面設計師區德誠，將生活中觀察到的畫面攝下，揉合漢字在現今生活中的意義，創出「看字」系列，表現出漢字蘊含的浪漫情懷。

至於藝術家劉學成，擅長雕塑及運用日常現成物創作，同時好歷史及古雅事物，其作品處處流露出當代藝術中的詩意；惜早前雙眼無故突生劇變，視力出現嚴重問題，唯以新作展現自己當前的視覺狀態，與個人心理變化。

(*是次展覽售出作品及配套活動所得收入的80%，將捐贈予參展藝術家劉學成進行醫治眼疾之手術*)

《軟 影像》鄧凝姿、張煒詩及麥秀英聯合展 - 2018香港攝影節衛星展覽
《SOFT Image》Joint Exhibition by Tang Ying Chi, Rachel Cheung & Fanny Mak - A satellite exhibition of HKIPF 2018

開幕 Opening: 26/10 (星期五 Fri), 18:30
日期 Date：5/10 – 4/11/2018 (星期五至日 Fri to Sun)
時間 Time：13:30 – 18:00

「後攝影」討論攝影數碼化的無限延伸性，三位從事其他媒介的藝術家鄧凝姿、張煒詩及麥秀英(夥拍小丁)，以轉移真實影像去檢視圖像真實性。

“Post photography” talked about the unlimited extension of digitalization in photography. Three artists Tang Ying Chi, Rachel Cheung and Fanny Mak (partnered with Siu Ding) working on other media are examining reality in imagery by transferring realistic photographic images into their works.

富德風情館

若風情放在一個國家，它會是(一種曖昧不明的顏色)
若風情放在一處地方，它會是(一股與時間有關的氣味)
若風情放在一橦大廈，它會是(一個等待被揭開的衣櫥)，或者更多

由10位藝術個體為大家揭示富德的獨有風情，如數家珍地為觀眾細數每個「角落頭」，日常毫不起眼的小細節將會促成一場流動盛宴。

我們誠邀各位一齊來觀看日常被收收埋埋的情景，感受一下富德樓裡的萬種風情。

Foo Tak Glamour Pavilion

Putting glamour into a country, a dubious colour you'll see
Putting glamour on a place, a temporal site you'll reach
Putting glamour in a mansion, a mysterious wardrobe awaiting your discovery you’ll find, or even more...

Unmasking by TEN artistic entities, Foo Tak's unique fascination will rush in your mind. Don't be scared when you find them being savvy to every nook of Foo Tak, to which those tiny nooks will bring a circulating feast.

With deep sincerity, you are invited to admire this introverted scenario and feel the charm and fascination in Foo Tak House.

參展個體 Participator
陳煒彤 Jessica Chan Wai Tung
陳穎棋 Chen Wing Ki
鄭凱殷 Meko Cheng
鍾肇峰 Chung Siu Fung
劉菁兒 Lau Cathleen Ching Yee
廖家耀 Karson Liu
列咏虹 Lit Wing Hung
吳殷喆 Ng Michael Yan Chit
曾泳琦 Tsang Wing Kei
黃嘉怡 Edith Wong


展覽日期及開放時間:
Exhibition Date & Opening Hours
4/10/2018 - 16/10/2018
12nn - 7pm (週二到週日) (Tue to Sun)

開幕 Opening:
4/10/2018
7:00pm-9:00pm

地點 Venue:
香港灣仔軒尼詩道365-367號 富德樓14樓（大堂至14樓 艺鵠）
14/F, Foo Tak Building, 365-367 Hennessy Road, Wanchai, Hong Kong

場地贊助：
藝鵠 ACO

The HKAC 40th Anniversary flagship exhibition Wan Chai Grammatica: Past, Present, Future Tense

Venue: Pao Galleries, Hong Kong Arts Centre (4/F and 5/F) 

Date: 2018.09.30 - 2018.11.04

Time: 10am – 8pm 

Price: Free Admission 

Culminating in its 40th year celebrations,【The Hong Kong Arts Centre】(HKAC) is delighted to present Wan Chai Grammatica: Past, Present, Future Tense, an exhibition that explores and celebrates Hong Kong’s cultural and artistic identity as seen through the lens of one of Hong Kong’s most iconic city districts, Wan Chai. Curated by guest curator Valerie C. Doran and the HKAC curatorial team, the exhibition will be held at Pao Galleries, HKAC from Sunday 30 September to Sunday 4 November 2018.
 
 “Since its foundation 40 years ago, the Hong Kong Arts Centre has fostered artistic exchange, forging connections between the arts of Hong Kong and the rest of the world through a wide range of programmes and collaborations. Wan Chai Grammatica: Past, Present, Future Tense is both a continuation and celebration of that heritage, and presents a new perspective that forms urban cultural identities,” says Connie Lam, Executive Director of the HKAC. 
 
Hong Kong has been uniquely shaped by a crucible of economic, political, ethnic and cultural influences, resulting in a vastly diverse heritage and identity, which is in turn made up of and influenced by the localised personalities of distinct districts within the city. The exhibiting works in Wan Chai Grammatica: Past, Present, Future Tense look at the bonds formed across generations, multiple languages and artistic genres that establish community and a love of place. The exhibition has been curated to examine personal, historical, and experiential responses to Wan Chai and features works by 18 artists local to Hong Kong, or intricately connected through international ties to the city. The exhibited works also explore the role Wan Chai plays in forming Hong Kong’s artistic identity, and its image in the eyes of both local and international audiences.
 
“Though varied in their responses, each of the artists presented in Wan Chai Grammatica: Past, Present, Future Tense shares an interest in the idea of place and how this is formed by individual interactions, past, present and future. The dialogue generated between the works opens doors to a new, more layered understanding of Wan Chai as a historical space, a cultural hub and a centre for community engagement,” Says Valerie C. Doran, exhibition guest curator.
 
During the exhibition period, Thematic tours around Wan Chai will be arranged and will narrate the history of the area, illustrating connections between the district and the artworks presented in Wan Chai Grammatica: Past, Present, Future Tense. Art Experience Workshops will shed new light on the district’s past, present and future, as well as the history of the HKAC as a cultural hub that has consistently over 40 years generated artistic dialogue. Programming will also include a Film Showcase on Wan Chai for audiences to experience the district's charm in a cinematic dimension. Creators and artists who are fans of these films will also talk about how their works have been influenced by Wan Chai.

Guest Curator: Valerie C. Doran (Hong Kong; b. USA)
Featured Artists:  Gaylord Chan (Hong Kong), Luis Chan (Hong Kong; b. Panama), Choi Yan Chi (Hong Kong), Chu Hing Wah (Hong Kong; b. Guangdong), Mark Chung (Hong Kong; b. New Zealand), Xyza Cruz Bacani (Hong Kong; b. The Philippines), Ho Sin Tung (Hong Kong), South Ho Siu Nam (Hong Kong), Phoebe Hui (Hong Kong), Firenze Lai (Hong Kong), Jaffa Lam (Hong Kong; b. Fujian), Leung Mee Ping (Hong Kong), MAP Office (Laurent Gutierrez and Valerie Portefaix, Hong Kong; b. France), Cédric Maridet (Hong Kong; b. France), N. S. Harsha (India), Frank Tang Kai Yiu (Hong Kong), Yeung Tong Lung (Hong Kong; b. Fujian), Trevor Yeung (Hong Kong; b. Guangdong)

香港藝術學院於今年的《典亞藝博2018》展出我們七位陶瓷系校友的作品，同時我們亦在另外兩位熱心的校友 Ivan Yung與 Benny To的協助下，製作了各種陶泥及釉彩的樣版，讓參觀者能更深入了解陶藝世界的多姿多彩。

最後，感謝Rachel Cheung（講師／課程統籌）為我們精心策劃這個展覽，而她與數名校友籌備已久的《香港本土陶瓷藝術發展新面向》亦即將誕生，內容將關於陶藝課程畢業生在藝術業界發展之研究，十分令人期待！
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Visit us now at "Fine Art Asia 2018"!
The cornerstone of this year's exhibition comprises ceramic works from 7 of our alumni alongside an array of clay and glaze samples nicely done by our alumni Ivan Yung and Benny To. Our visitors would surely have an unique experience immersing into the dynamic world of ceramics!

Credits to our lecturer, programme coordinator and curator of the show Rachel Cheung for the efforts! Meanwhile, her collaboration with our alumni in the book entitled "The Horizons Of Local Ceramic Art In Hong Kong” - a research on the career development of graduates from the ceramics discipline - will be published real soon! Stay tuned!
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《典亞藝博2018》 | "Fine Art Asia 2018"

場地 | Venue
B22,香港會議展覽中心展覽廳3
Booth B22, Hall 3, Hong Kong Convention and Exhibition Centre

展期 | Period
29.9 - 1.10.2018 11am – 7pm
2.10.2018 11am – 6pm
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焦點校友 | Featured alumni:
區灝藍 | Suzanne Au
陳建業 | Scott Chan
張碧華 | Renita CHEUNG
李綺薇 | Winus Lee
蕭錦嫺 | Kamhan Siu
姚俊樺 | Yiu Chun Wa
阮素玲 | Yuen So Ling

「由實用至抽象」張煒詩陶瓷作品展
(27 Sep - 7 Nov Part I; 9 Nov - 23 Nov Part II)

每一次觀賞Rachel的作品，也有要止住呼吸的感覺，是害怕那一刹那的平衡瞬間即逝。

"from Functionality to Abstraction" Ceramic Works by Rachel Cheung (27 Sep - 7 Nov Part I; 9 Nov - 23 Nov Part II)
I have a sense of holding my breath while appreciating Rachel's art pieces. Relax and hold the balance!

我們的五位校友及學生現正於《第18屆中國平遙國際攝影大展》參展，並由香港藝術學院高級講師及學科統籌黎健強博士負責策展，以一系列的當代攝影作品回應索緒爾（Ferdinand de Saussure)提出的「共時性」(Synchronic)，讓我們一起恭喜他們展出成功！

《第18屆中國平遙國際攝影大展》
參展校友及學生：陳港怡、張亦勤、劉德銘、杜錦榮、黃頌茵
地點：第18屆平遙國際攝影大展棉織廠廳（院）H區
展期：9月19至24日
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Curated by our Senior Lecturer and Subject Coordinator Dr. Edwin Lai, 5 of our alumni and current students are now exhibiting at China Pingyao International Photography Festival 2018. The exhibition responds to the key idea of ‘synchronic’ as emphasized by Ferdinand de Saussure with a contemporary approach in photography. Congratulations on their success!

“China Pingyao International Photography Festival 2018”
Exhibiting alumni and students: Polly Chan,Cheung Yick Kan, Rorce Lau, Chris To, Vanus Wong
Venue: H Hall, China Pingyao International Photography Festival
Exhibition period: 19-24 September 2018