自杜象以「噴泉」為名的便斗顛覆傳統既定的認知後，當代藝術越形重視創作中的概念性。

水墨自千年前發展至今，在面對西方文藝思潮迭起、現代化變遷、媒材創新的衝擊之下，從廿世紀亦積極尋求與時俱變。推衍至今日，最有名的口號莫過如劉國松所提出的「革中鋒的命」，傳統書畫重視的筆墨更是由此轉向。

大觀藝術空間很榮幸此次邀請到香港知名策展人梁兆基先生，為跨年檔期操刀這次當代水墨聯展。在東方往昔即提出水無常形、墨具五彩的觀念，惟有「變易」方為「不易」的真理。「若水．未墨」以水墨本質為始，邀集到十位來自港、澳各具盛名的藝術家，挑脫傳統的思考點、蛻變出水墨的全新創作。

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若水．未墨
貴賓預展｜2019.12.27
開幕茶會｜2019.12.28 15:00
與會嘉賓｜策展人梁兆基先生，參展藝術家甘志強老師、姚柱東老師
展期｜2019.12.28-2020.02.09
策展人｜梁兆基先生
參展藝術家｜甘志強、文鳳儀、莫一新、林佑森、姚柱東、馮捲雪、黃小玲、劉善恆、卡娜、謝俊昇

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大觀藝術空間
開放時間｜週二至週日(週一公休) 10:30-18:30
地址｜台北市敬業二路69巷16號
捷運｜劍南路站2號（明水路）出口，沿敬業二路直走，69巷右轉
電話｜(02)8501-5677

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With a long history established over a thousand years ago, ink art today faces the western influence, modernization and the introduction of new technologies, keeping up with the changes had become a priority. The ink master Liu Kuo-Sung famously stated that he would like to “revolutionise the centre of the brush”, indicating the importance of learning from the new.

Daguan Gallery is pleased to have invited renowned curator Eric Leung from Hong Kong to lead this exhibition. It is known in the east that water takes no regular shape whilst the ink had five different shades, hence the centre core of ink art is in the ink and water themselves. The exhibition transINK presents the pioneering and unconventional works by ten artists from Hong Kong and Macao.

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transINK
VIP Preview|27 December 2019
Opening Reception|28 December 2019, 15.00
Guests|curator Eric Leung, artists Kum Chi Keung and Yui Chu Tung
Exhibition duration|28 December 2019 – 9 February 2020
Curator | Eric Leung
Participating Artists|Kum Chi Keung, Man Yi, Mok Yat San, Lam Yau Sum, Yiu Chu Tung, Michelle Fung, June Wong, Season Lao Tse Chun Sing

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Daguan Gallery
Opening Times | Tuesday to Sunday (closed on Mondays) 10.30 – 18.30
Address | No. 16, Land 69, Jingyeh 2nd Road, Taipei
MRT | Jiangnan Road Station Exit 2 (Mingshui Road), walk along Jingyeh 2nd Road and turn right on Lane 69
Telephone | (02)8501-5677

Sediment and Undercurrent - Man Mei To Solo Exhibition

沉 積 暗 湧 - 文 美 桃 個人展覽
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Exhibition Period | 展期 : 7- 29 / 12 / 2019
Wed - Sun | 星期三 至 日
1 pm - 7 pm

Talk | 座談會 : 07 / 12 / 2019 ( Sat )
5 pm - 7 pm



ACO Art Space, 6/F Foo Tak Building, 365 Hennessy Road, Wanchai
艺鵠藝術空間, 灣仔軒尼詩道365號富德樓6/F

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展覽名稱《沉積暗湧》 源於 某個香港天氣術語：

// 湧浪 ---- 風浪是風推動海面所產生的水波。風浪在海上傳播，遠離其生成區域，成為「湧浪」。過往「湧浪」也曾被稱為「暗湧」。...... 當湧浪進入淺水區時，浪的高度會急劇增加，對身處岸邊或在近岸海面活動的人士構成威脅。 //

海底沉積著不擅喧嘩的沈默，期待某個風向帶動的力量來到，解放那些僅存的生命力。

#1 - 持續間歇性地以頭髮編織，以看似微不足道的勞動，於頭髮間打上不能用力打的結。亦因為有機物隨時間較快腐化的特質，以頭髮為物料的創作，形狀上也許像突然囤積的黑雲，可知每滴水蒸氣也得來不易。

#2 - 乾旱的泥土與水重聚一刻下，短暫躁動後再回復平靜，重注等待乾涸的耐性。

#3 - 曾於醫學博物館展出過的身體標本，那是我僅有的生物塑化技術試驗品。

#4 - 筆直的幹，曲折的節，黑洞般的逃生門。

#5 - 遠在地中海氣侯帶的城市中，拾起路上的樹掉下來的果實，苦不堪言。




The Exhibition title partly inspired by a weather term from Hong Kong Observatory: “Swells”

// Swells - Winds blow over the ocean surface and generate water waves called seas or sea waves. Propagating outward across the oceans, they are referred to as swells when they reach a distance far away from their originating area ……. When swells enter shallow waters, their wave heights would increase drastically, posing threats to people near the shoreline or operating over near-shore waters. //


I am aware of the inarticulate silence within the sediment that lying on the seabed. Occasionally, the energy that driven by wind is liberating the remaining vitality there.

#1 - I intermittently weave my hair into a piece of extended hair. This seemingly insignificant labor required a series of forceless knot to sustain the tension in between. The hair decays and bend into a ball shape. I saw a dark cloud formed there and every bits of water vapor mark the hard work.

#2 - At the moment of reunion for dried clay and water, they briefly sway and then return to calm, empowered by being patient again for the next desiccation.

#3 - Some specimen I made that has been exhibited at the Medical Museum before. I claim they are my prototype of my own plastination technique.

#4 - Straight trunk ; tortuous branch ; chaotic emergency exit.

#5 - In the city of the Mediterranean climate zone, I picked up the fruit of the tree on the road, The fruit was bitter.



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關於藝術家

文 美 桃 生於1990年，獲皇家墨爾本理工大學及香港藝術學院藝術學士學位，主修繪畫。她的作品混合多種媒介，包括繪畫、攝影、錄像、裝置及混合媒介等。

文氏作品多涉及「城市」及「身體」兩種不同探索命題。由身體的親密性游走到城市的景觀，探究城市化的生活，消逝的事件與物件。用物化，複製，重塑，以及量化的方式，令你重新注視到他的存在，他的脆弱與沉默之間的對話。在脆弱、零碎的物件中尋找他曾存在的重量。把身體與土地拉得更近，帶到最自然的狀態。

文氐在2016年舉辦了首個個人展覽《洗衣店》 （A walk with A3, 香港），其他作品亦曾於國外展出，如 《原始感覺藝術祭2016》（大町市，日本）及《類聚集》（非常廟藝文空間，台北）等等。


www.manmeito.com





About the Artist

Man Mei To (b.1990) obtained her Bachelor degrees in Arts from Royal Melbourne Institute of Technology University (RMIT) and Hong Kong Arts School in 2015, majoring in painting. Her artworks incorporate various media such as painting, photography, video, installation and mixed media.

Man’s artworks typically engage the “ the body ” and “ the city ”. She consciously carries her sensitivity of searching body intimacy to explore the landscape in city ; urbanized life ; fading scenario and vanishing objects around the cityscape. Her works aim at providing awareness on ‘ his ’ existence, and the dialogue between his ’ fragility ' and ‘ his ’ silence by objectifying, cloning, reconstructing and quantifying found objects around. And looking for the weight of these objects once they had from their fragment. She hopes to find a closed relationship between the land and our body through her art practice, until reaching a natural state for both to exist.

Man has initiated her first solo exhibition “Laundry Shop ( A walk with A3 , Hong Kong , 2016). And she has previously participated in Primitive Sense Art festival ( Omachi City, Nagano,Japan 2016 ), Ensemble ( VT Artsalon, Taipei 2017 ), etc.


www.manmeito.com



\\

Supported by 資助 :
Hong Kong Arts Development Council | 香港藝術發展局


Venue Support 場地贊助 :
Art and Culture Outreach｜艺鵠


Special thanks 鳴謝：
技術支援 及 編輯 、 整理 ｜ 王鎮海
手寫文字 ｜ 三三
Floating Projects

誠意邀請大家出席「在地」陶藝節2019開幕典禮
You are cordially invited to join the Opening Ceremony of
On Earth Ceramics Festival 2019
Opening Ceremony: 6/12/2019, 6pm
Exhibition Period: 7/12/2019 – 5/1/2020
Time: 12:00 – 20:00 (Daily)
Venue: L0 & L1 Galleries, JCCAC

「在地」陶藝節
彼此共生於大地，城市與鄉郊的發展步伐不一，以至漸漸匱乏溝通語言而疏遠。「在地」陶藝節以最貼近大地的藝術媒介—陶藝為主軸，邀請陶藝家和不同媒介藝術家走進鄉郊，與泥土和大地對話，並藉藝術以分享對城、鄉的想法與期望，宣揚「鄉村與城市」、「自然與現代化」之間要取得平衡與共存的重要性。

陶瓷藝術及陶藝教育在香港日益盛行，陶藝節正好以「節慶」的形式呈現當下香港陶藝多元發展的現況，並邀請藝術家攜手從多角度去探討香港現今的「人」、「地」、「物」與「城鄉」之間的關係，亦藉著藝術連繫不同社區推動永續鄉郊、城鄉共存的概念。陶泥物料來自大自然，今次藉著人、泥土和大自然之間所存在著的連結與關係出發，既團結香港陶藝界從業員，也為當代陶瓷藝術定位及推動其發展。

「在地」陶藝節是今年賽馬會創意藝術中心（JCCAC）年度藝術節的主題展覽，由Unit Gallery和JCCAC合辦，陶藝家兼Unit Gallery創辦人張煒詩為策劃及策展人，當中包括三個展覽：「在地」當代陶藝展、「尋田. 探土」荔枝窩藝術計劃展及「藝術家工作室開放暨展覽」﹔並邀請了新進陶藝家區灝藍共。陶藝節另設有藝術講座、藝術示範、工作坊及展覽導賞。

**在此鳴謝賽馬會創意藝術中心、香港大學公民社會與治理研究中心永續坊策劃之「滙豐永續鄉郊計劃」轄下「社區共創項目」及香港藝術發展局的支持和資助。

“On Earth” Ceramics Festival
The city and the rural are interdependent, the pace of development between them is different and gradually the communication in between becomes deficient and alienated. Rachel Cheung, the curator of “On Earth” Ceramics Festival, employs ceramics as the main medium and invites artists to encounter with the nature, to create artworks that share their ideas and expectation toward the city and the rural, in order to foster the importance of balance and coexistence between “city and rural” and “nature and modernization”.

Ceramic art and education are becoming more and more popular in Hong Kong. It may be a good timing now to present this event as a ceramics festival so as to reflect the current situation of the diversified development of ceramic art. In this festival, artists are invited to explore the “people”, “land”, “resources” and “urban-rural” in nowadays’ Hong Kong from a multi-angle perspective. It also hopes to promote the concept of rural sustainability and urban-rural coexistence through art to linkage different communities. This festival is a good opportunity to unite the ceramic practitioners in Hong Kong and to positioning and stimulate the development of contemporary ceramic art. *

“On Earth” Ceramics Festival is the themed exhibition of JCCAC’s annual art festival, which is co-presented by Unit Gallery and JCCAC, and curated by Rachel Cheung, the founder of the Unit Gallery. Under the Festival, there are three exhibitions: On Earth Contemporary Ceramics Exhibition, Exhibition of Lai Chi Wo Art Project, and Artists’ Studio Open cum Exhibition. There are also fringe activities: art talks, art demonstrations, workshop and exhibition guided tours.

**Heartfelt thanks to the JCCAC, the Policy for Sustainability Lab of the Centre for Civil Society and Governance at The University of Hong Kong (the “Co-creation of the Community” Scheme under the “HSBC Rural Sustainability” Programme) and the Hong Kong Arts Development Council for their generous supports.

Curator: Rachel CHEUNG 張煒詩
Coordinator: Suzanne AU 區灝藍
Video Director: Dexter LEE李彥錚
Technical Supervision: YIU Chun Wa姚俊樺

Participating Artists:
On Earth Contemporary Ceramics Exhibition
在地當代陶藝展覽
Suzanne AU區灝藍
Scott CHAN陳建業
Reed CHENG鄭明輝
Blanche HO何敏儀
Rosanna LI 李慧嫻
Louis LO 盧世強
Johnson TSANG曾章成
Annie WAN尹麗娟
Yokky WONG 黃美嫻
YIU Chun Wa姚俊樺

Exhibition of Lai Chi Wo Art Project
尋田.探土 - 荔枝窩藝術計劃展覽
Suzanne AU區灝藍
Scott CHAN陳建業
CHU Tung Yin 朱東然
Benjamin HAO郝立仁
HO Lok Chung 何濼聰
Quentin KONG江振邦
Dick LAI黎振寧
Venus LAM林喜兒
Dexter LEE 李彥錚
Annie WAN尹麗娟
YEUNG Kin Bong楊建邦
Yokky WONG 黃美嫻
YIU Chun Wa姚俊樺

Artists’ Studio Open cum Exhibition
藝術家工作室開放暨展覽
L2-01 Re-creation Workshop - Johnson Tsang
L2-12 Tranceramics - Suzanne Au & Elina Titane
L3-03 I-Kiln Studio - Reed Cheng
L3-05A Angel Hui Hoi Kiu Studio - Angel Hui
L3-05C Louis SK Art Studio - Louis Lo (& students)
L4-15 REDnose - Noel Li
L5-01 Clayground - Blanche Ho
L5-22 Gallery Z - Lau Ching Ping
L5-23 Unit Gallery - Kate Siu (resident artist)
L5-24 An Gee’s Studio - Chan An Gee
L6-03 Christina TAM
L6-24 Artisens Studio - Luk Shun
L6-29 Earthen Light Studio - Esther Mar & Mary Mar
L7-08 Cozy Workshop - Anna Li
L7-09 Small Power Space - Cicy Ching

講座Talks
7/12 2:30-4:00pm
尋田探土—鄉郊永續
Art Project in relation to Rural Sustainability
講者Speakers
游慧瑜, 項目經理, 香港大學公民社會與治理研究中心
Anna YAU, Project Manager, Centre for Civil Society and Governance, The University of Hong Kong
區灝藍,陶藝家
Suzanne AU, Ceramic artist
李彥錚,視覺藝術家Dexter LEE, Visual artist

14/12 2:30-4:00pm
當代陶瓷—實現自我
Self-realization in Contemporary Ceramics
講者Speakers
李慧嫻,陶藝家
Rosanna LI, Ceramic artist
曾章成,陶藝家
Johnson TSANG, Ceramic artist
陳建業,陶藝家
Scott CHAN, Ceramic artist

示範及工作坊
Demonstrations and Workshop
7/12 4:30-6:00pm
陶土升級再生創意工作坊
Clay-Upcycling Creative Workshop
姚俊樺,陶藝家
YIU Chun Wa, Ceramic artist

14/12 4:30-6:00pm
村有一老如有一寶
—陶泥雕塑示範
Elders, Treasures in Every Village – Ceramics Sculpturing Demonstration
盧世強,陶藝家
Louis LO, Ceramic artist

【微觀 ‧ 遠望｜香港藝術學院 Alumni Network 展覽 2019】

陶瓷展覽 微觀 ‧ 遠望｜香港藝術學院 Alumni Network 展覽 2019 由香港藝術中心與香港藝術學院Alumni Network合辦．適逢香港藝術學院（香港藝術中心附屬機構）成立二十週年，至今已培育出約二百名陶藝主修畢業生，當中成立工作室並持續創作者多於百人，是本地陶藝生態的生力軍。展覽邀請了三十六位在香港藝術學院不同年份畢業且來自不同背景的陶藝家參展，一百一十八件展品分為實用器物、藝術創作和昔日作品三個部份，多樣化地反映了陶藝家不同的世界觀，展示了香港藝術學院對陶瓷作為專業知識的重視，以及對鑽研和創新精神的培養。

本屆展覽由香港藝術學院校友策劃，意義在於以點滴回饋之心延續學校校友之間的關懷、聯繫與支持，當中出售作品百分之五十的收益，將 予香港藝術學院作其發展用途。

策展人: 黃麗貞


【Intimacy in the Distance │ Hong Kong Art School Alumni Network Exhibition 2019】

The ceramic exhibition Intimacy in the Distance │ Hong Kong Art School Alumni Network Exhibition 2019 is co-presented by Hong Kong Arts Centre and Hong Kong Art School Alumni Network. In the 20 years since it was founded, the Hong Kong Art School, a division of the Hong Kong Arts Centre has witnessed the graduation of more than 200 students who were ceramics major, more than a hundred of them have set up their work studios to continue with their art making. They are the new blood of the local ceramics landscape. Thirty-six ceramics artists from different backgrounds and cohorts have been invited to take part in this exhibition. The 118 pieces of exhibits were divided into three sections, focusing on functional objects, art creation and earlier works. The broad spectrum of works presents various perspectives to look at the world. These creative works of art highlight Hong Kong Art School’s steadfast support for ceramics as a professional practice, and our efforts to nurture students who are keen to pursue studious study and innovative attempts at creation.

What makes this exhibition more meaningful is that the participants and organisers are all alumni of the Hong Kong Art School and 50% from the sales of works will be donated to support the continuous development of the Hong Kong Art School.

Curator: Fiona Wong


開放時間 Opening Hours
29.11 - 14.12.2019
10am - 8pm

開幕 Opening
28.11.2019 (Thur)
6:00pm 酒會 Cocktail Reception
6:30pm 開幕禮 Opening Ceremony


參展藝術家 Participating Artists

Simone Boon
陳建業 Chan Kin Yip Scott
陳翹康x BeCandle Chan Kiu Hong, Joe x BeCandle
陳思光 Chan See Kwong Ray
陳小姿 Chan Siu Chi, b
趙汝誠 Chau Yu Shing Daniel
鄭禮仁 Ryan Cheng
張啟新 Cheung Kai Sun Suzy
張麗珍 Cheung Lai Chun Karen
程詩賢 Ching Sze Yin Cicy
馮國璋 Fung Kwok Cheung Paul
何敏儀 Blanche Ho
葉皓賢 Ip Ho Yin Casric
關秀雯 Kwan Sau Man
黎海茜 Lai Hoi Sai Joey
劉瑋珊 Hikki Lau
劉宏達 Lau Wang Tat
李佩欣 Jessica Lee
李慧心 Lee Wai Sum
李綺薇 Winus Lee
魯彩虹 Rainbow Lu
陸美妃 Luk Mei Fei Nutz
潘輝煌 Poon Fai Wong
蕭錦嫺 Siu Kam Han
譚曉怡 Rebeka Tam
鄧嘉寶 Karpo Tang
曾志清 Tsang Che Ching
曾秀英 Connie Tsang
徐芷君Josephine Tsui
黃麗娟 Aidan Wong
黃靜雯 Ann Wong
黃愷琳 Wong Hoi Lam Karen
胡子敏 Woo Tze Mun Mandy
邱瑞蘭 Iris Yau
丘文彬 Yau Man Pun Ben
姚俊樺 Yiu Chun Wa


Presented by
香港藝術中心 Hong Kong Arts Centre

Co-presented by
香港藝術學院 Alumni Network
Hong Kong Art School Alumni Network

Media partners
藝們 Altermodernists
點子藝術創作 Pointsman Art Creation

Printing Sponsor
大一數碼印刷有限公司 Elite Digital & Printing Co., Ltd.

Contemporary by Angela Li is pleased to present Long to Belong joint exhibition. This exhibition brings together drawings and paintings by three young artists from Hong Kong – Tang Kwong San, Manchun Kwong and Apple Wong Hiu Fung. Long to Belong offers distinct individual perspectives on the concept of being ‘belong’, examining the essence of their personal experience, in orbit around their views on family, heritage and social existence. This joint exhibition opens on 21 November 2019 from 6pm to 8pm in conjunction with Hong Kong Art Week Art Gallery Night and remain on view through 14 December 2019. The artists will be present during the opening reception.

Sansiao gallery is pleased to announce "HOMMAGE", a group exhibition of artists from Hong Kong and Japan.

This is a series of exhibitions which showcases emerging artists creating artwork that is inspired by eminent pieces in our collection. This series has received acclaim from visitors, who have discovered exciting up and coming artists alongside classic works from our vault.

Ryoko Kaneta x ANDO HIROSHIGE
Kayo Matsushima x GEORGES BRAQUE
Stephanie Sin x ANDY WARHOL
Timothy Zauhou x MASARU SHICHINOHE
Damon Tong x MARY ELLEN JOHNSON
Otto Li x VITO ACCONCI
Hogalee x ROY LICHTENSTEIN
Sumiko Iwaoka x SARAH CHARLESWORTH
Taku Hisamura x CHRISTO

(Please scroll down for English)
1a空間榮譽呈獻群展《風景元件》，展覽為1空間贊助香港藝術學院澳洲皇家墨爾本理工大學藝術之學士課程之應屆畢業生獲選畢業作品聯展。展覽將會展出三位畢業生的新作及以1a空間藝廊創作的場域特定作品。

鄭凱殷 列詠虹 黃嘉怡
三人作品各自帶有物料與物理轉換的共同性。創造出一種開放式處境及狀況。從個人情感伸延至環境對話。

展覽往往只是一個短暫的時空（風光），當作品置於不同的空間與時間下會帶來一種怎樣的風景？透過混合與連結讓展覽（作品）組成共同的敘事體。

特別鳴謝：香港藝術學院與澳洲皇家墨爾本理工大學

【風景元件】
開幕酒會： 2019 年 11 月 8 日晚上 6 時
藝術家導賞團：2019 年 11 月 10 日（星期日）下午 3時

展期： 2019 年 11 月 9 日- 2019 年 11 月 28 日
展覽開放時間： 逢星期二至日上午 11 時至晚上 7 時正 (逢星期一休館)
地點： 香港九龍土瓜灣馬頭角道 63 號牛棚藝術村 14 號「1a 空間」
查詢： 25290087／ info@oneaspace.org.hk
Facebook 專頁： 1a space
Instagram ：1a_space

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策展人及藝術家簡歷
策展人:
陳翹康
畢業於皇家墨爾本理工大學藝術學士及碩士學位課程, 作品曾展出於芝加哥,義大利,臺灣,澳洲, 日本,中國及澳門。他的陶瓷作品包含雕塑、裝置、環境和聲音等元素。2012年, 作品 ‘靜聽’入選香港當代藝術獎。2014年,參與日本丹後聆聽營藝術家駐留。近年獲港鐵・天頌雕塑藝術大賞銅獎及二十一屆ifva 媒體藝術組金獎。現為香港藝術學院兼任講師。

參展藝術家（排名不分先後）:
黃嘉怡
黃嘉怡畢業於香港藝術學院澳洲皇家墨爾本理工大學的藝術學士課程， 主修雕塑。認為藝術有趣在於它會把你日常生活中所體驗到的事物拆件，然後重新呈現，給予觀眾重新思 考閱讀的不同模式及可能性。

呀列 (列咏虹)
呀列主要創作混合媒介雕塑及裝置作品。汲取個人生活經驗、身體限制、社會及時事等為創作背景與元素，呀列的作品反應她 對日常生活的觀察，以幽默詼諧的方式回應個人對於不公平與不滿的對抗。

鄭凱殷
鄭凱殷 於二零一九年獲得墨爾本皇家理工大學藝術文學士，主修雕塑。作品關於物料、重量與物理性的體現。 以紙為主體， 它是具記憶但一去不返。透過平衡的結構中，以物料展現一個有限的時 間。因此，作品常處於一種平衡與不平衡;沉穩與流動之間的狀態，從力量推移中表現物料間的張 力，呈現一種對比性的區別。

雖靜止卻流動於無形。 透過層遞方式以平面去呈現深度空間，當中連結起時間，講述一個關於感受的過程。

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【Kit of Landscape】
9th November – 28th November 2019, 1a space

1a space proudly presents Kit of Landscape, a group exhibition of selected graduate works from the Hong Kong Art School/RMIT University Bachelor of Arts (Fine Art) Graduation Exhibition. The exhibition includes the new works of the three selected artists and some site-specific artworks made for 1a space.

Cheng Hoi Yan, Lit wing hung and Wong Ka Yi . Among the three art works, which brought out the commonality between the materials transformation and physical conversion. From personal emotion develop to the conversation with environment.

Exhibition is a short period to presence of space. The different time and space will constitute to the different view and landscape. Through the mixed setting and connection to create an object for narrative in the exhibition.

Special Acknowledgement: Hong Kong Art School & RMIT University

【KIT OF LANDSCAPE 】
Opening Reception: 8th November 2019, 6pm
Artist-led Guided Tour : 10th November 2019, 3pm
Exhibition: 9th November 2019 – 28th November 2019
Time: Tuesday to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 1a space
Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road,
To Kwa Wan, Kowloon, Hong Kong
Enquiry: 25290087/ info@oneaspace.org.hk
Facebook: 1a space
Instagram: 1a_space

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About Curator and Participating Artists

Curator
Joe Chan Kiu Hong
Joe Chan Kiu Hong graduated with a Bachelor of Fine Arts and Master of Fine Art at RMIT University. Chan has been exhibiting his works in Chicago, Italy, Taiwan, Australia, Japan, Macau and China. His ceramic work includes sculptural, installation, environment, and sound elements. Chan’s work ‘Jing Ting’ selected of Hong Kong Contemporary Art Awards 2012 (HKCAA). Chan has been invited to be the resident artist of Art camp Tango, Japan in 2014. Chan’s recent awards include MTR Tiara Sculpture Competition -Bronze Prize and 21st ifva festival (Media Art Category) - Gold Award. Currently he is Part-Time Tutor of Hong Kong Art School.

Participating Artists (in no particular order)
Edith Wong Ka Yi
Edith Wong graduated from the Bachelor of Arts in Hong Kong Art School and RMIT, majoring in sculpture. She uses cement and daily objects as a medium, allowing viewers to think the different angle and possibilities of visual.

Lit Wing Hung
Lit’s works are usually in the form of mixed media sculpture and installations. Penetrating personal life experiences, physical limitations, worldwide social and news events, the artworks reflect Lit's observation in daily life, and express her confrontation with dissatisfaction and unfairness in a humorous way.

Meko Cheng hoi Yan
Meko Cheng received her B.A fine art from the Royal Melbourne Institute of Technology in 2019. Her work is about representation of material, weight and physical manifestation. With paper, every trace that has been marked is memory, can be held in time, and never goes back. Through it’s balanced structure, the material shows a limited relationship with time. Therefore, the works are often in a state of balance and imbalance, calmness and flow, showing the tension and contrast of materials.

Although still, it seems invisibly fluid, linking time with layers of space in order to express a process about feelings in a moment.

The word She_borg is a term coined by Christy Chow, derived from the term cyborg(cybernetic organism), referring to the mixture of organism and electronic machines. In popular culture, male cyborg is dominant over the feminine . When we think of the word ‘Cyborg’, we are more likely thinking of the masculine and powerful male characters in movies such as the Justice League or Terminator. Even though we might often see female cyborgs such as Scarlett Johannsson in Ghost in the Shell, their images often imitate that of the masculine figures with a sexual twist. Cyborg representations are often alienated from our daily life. However, in reality, cybernetic enhancements have already penetrated our everyday life. In this solo exhibition, Christy Chow focuses on women's cybernetic transformation, using multimedia media to express the new ethics on the female body in an age of artificial intelligence.

<越瞄越黑>是黎振寧有感現實事件比電影故事更荒謬更怪誕而創作的作品。前人創作的意像，今天全部實現。現實情況是越瞄多一眼，越覺黑暗。

展期：21-30/10/2019
地點：PRÉCÉDÉE
地址：九龍油麻地上海街304號
時間：全日24小時

<Become more darkness > a solo exhibition hold by Lai Chun Ling. Lai was inspired by the social affairs happened nowadays was more ridiculous and grotesque than in movie stories. The images from these VCD covers created by the predecessors were all realized today. The reality is that the more you look at it, the more you feel dark.

Period 21/10-30/10/2019
Venue PRÉCÉDÉE
Address 304 Shanghai Street, Yau Ma Tei
Opening time 24 hours

開幕: 2019年10月20日 5pm
討論會: 2019年10月20日 5:30pm
閉幕及分享會: 2019年10月31日 7pm
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藝術在大南 (Hey! Big South!)
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近年，社區成為各種文藝活動與創作炙手可熱的靈丹妙藥。結合起來的，可以是形形色色的社區藝術，也可以是藝術與創意的試驗場。你可以找到合家歡的藝文活動，同時亦能找到只有小撮人能參與的藝文活動。

曾經，我們將藝術視為一道力量，將失去光彩的社區再次重生，藝術彷彿成了救世主，忽視了社區內斂的力量。

如是，藝術與社區，彷彿變成了人流與資助的保證。

時移勢易，人和事都變得不一樣，我們又如何延續藝術與社區的關係？「藝術在大南」定點在深水埗大南街，或者我們能找到千萬個理由，來支持為何選址在這裡，但我寧願相信這只是一種偶然，就像不同時代、不同背景、不同理念的商店與藝術空間，在不同的時勢下紮根到大南街裡。這個計劃暫時借了他們的光，得到街上幾間店鋪與藝術空間的合作支持，化成有機的展演場，讓藝術家在這個充滿故事的地方，再次「重演（re-enact）」不同的故事，考驗一下藝術（家）如何在一個繁花的社區中「見自己、見天地、見眾生」。

在短暫的創作與協助過程中，樂見大部分藝術家的作品，都圍繞著「人」。的確，當一切都沒有群體的參與時，原來什麼都不是。

參與藝術家
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陳正文
鄧國騫
謝曉陽
溫佐治
黃永生
袁永賢

合作單位
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合舍 Form Society 大安果業有限公司 Café Sausalito
立方國際青年社區 聯昌皮號 Luen Cheong Leather HK, Since 1948
藝們 • altermodernists

資助
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香港藝術發展局 Hong Kong Arts Development Council (HKADC)

(Please scroll down for the Chinese version)

Lulu NGIE
​Relax Until Distraction Comes
​
​12 October – 9 November 2019
Opening: 12 October 2019, 4 - 7 pm

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Gallery EXIT is pleased to announce "Relax until distraction comes", a solo exhibition of new works by Lulu NGIE. The exhibition will open on 12 October 2019 and remain on view through 9 November 2019. An opening reception will be held on Saturday, 12 October from 4pm to 7pm.

Comprising both oil and ink paintings, NGIE's latest exhibition reveals a whole universe of emotions. Some of the works explore feelings such as joy and hope, while others deal with the anger and despair the Hong Kong artist felt during the political crisis in her hometown, when injustice and human rights violations left her struggling for inner balance.

NGIE's work revolves almost exclusively around the human figure. Its shape is reduced to the absolute minimum: a few brushstrokes mark the outline of the body. The face is a simple oval, with eyes, nose and hair barely hinted at. There is no mouth – in the space where these figures exist, words are not needed.

Her paintings often show interactions between two or more figures. They reach towards each other; they point; they touch. We see them sitting, walking or dancing together, with entangled limbs that end in delicately drawn hands and feet. Extending from a body that is merely suggested, they are social tools as well as powerful signifiers of emotion.

The stark reduction of the figures is a result of NGIE's longstanding practice of ink painting, an unforgiving medium that forces the artist to consider every brushstroke. In her oil paintings, she uses colour in an equally deliberate way. Only parts of the canvas are filled with barely shaded red, blue, green or yellow. Rather than describing visual appearance, these patches are vehicles for emotion.

The dynamic composition of many paintings suggests that their protagonists are engaged in a process. They constantly reevaluate their place relative to others or look inwards to examine the ebb and flow of their feelings. Emotions arise and fade away, just as relationships evolve and fall apart. By embracing these changes, NGIE's work embraces life itself.

The circumstances in which the figures find themselves are not always easy to decipher. NGIE's works are deeply personal, at times even cryptic. Looking at them can feel like listening in on someone talking to themselves. We may not always understand these solitary conversations, but anyone who has struggled with adversity will find it hard not to be moved by their deep humanity.


倪鷺露
​《放鬆，直至分心為止》

2019年10月12日至11月9日
開幕：10月12日(星期五)下午4時至7時


安全口畫廊呈獻倪鷺露最新個人展覽《放鬆，直至分心為止》，展覽於2019年10月12日至11月9日開放，開幕酒會在10月12日（星期六）下午4時至7時舉行。

是次個展兼具油彩和水墨作品，展現紛陳的情緒世界。一些作品探索欣喜與希望，另一些表現她身處之城市面對巨大事件時的憤怒與絕望，在種種不公和喪失人權的狀態下，她努力地找回內心的平衡。

人是倪鷺露的作品核心。形體減省成樸拙的線條，去蕪存菁，寥寥幾筆已包含形態輪廓。清簡的橢圓形臉孔上，眼鼻頭髮點到即止，而且省去嘴巴，彷彿暗示意境不需言詮。

畫中大多呈現兩人或群體。他們伸向對方，他們指著某人，他們觸碰彼此。畫中人或坐、或行、或共舞，手臂雙腿團團纏繞，再仔細描繪手和腳，從不明確的身體伸出來，這是與別人交流的工具，也強而有力地表達那人的內心。

倪鷺露研習水墨多年，筆觸拿捏微妙，人物形象極簡率真。油畫色彩的運用也不揮霍，畫布只有一部分塗上近乎純粹的紅、藍、綠、黃。那些色彩並非用來描繪外貌，而是情緒的載體。

多幅作品的構圖活力豐沛，畫中人正在經歷一個過程，不斷重新凝視自己與別人的關係，或觀察內心起伏。情緒如潮起潮退，正如人的關係有進也有散。畫者接受這些改變，透過作品與生命相擁。

作品均發自個人情感，時而曖昧難言，畫中人的狀況或許不易參透。一面看畫，就像聽著某人在自言自語。未必每段獨自對話都聽得確切，但經歷過逆境的人，都會被其深厚的人性所打動。

【學院畢業生首場個展】
去年於學院藝術文學士*課程畢業的丘卓妮（主修繪畫），將於十月舉辦首場個人展覽，恭喜！
她於是次展覽展出九幅以「廚房」為主題之作品，把課堂所學融合個人想法，冀為為觀眾帶來獨特的視覺經驗。

丘卓妮個人展覽《Free as Leaves》
展期：2019年10月6日至11月3日
時間：早上11時至下午8時
地點：香港中環鴨巴甸街35號元創坊Staunton S503室